https://www.removed.social/works daily 0.75 2025-09-28 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460493870-0CPUY4WMW3ZBZLJQHFP1/Angie_and_Me_Eric_Pickersgill_Removed.jpg Works - Angie and Me Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460493870-0CPUY4WMW3ZBZLJQHFP1/Angie_and_Me_Eric_Pickersgill_Removed.jpg Works - Angie and Me Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1460983527493-OLUR6R63MLFRZLX9T1W7/Angie_and_Me.jpg Works - hoever test test https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461414091-O6WCK8WP5UTZTHG2K50P/Melissa_Eric_Pickersgill_Removed.jpg Works - Melissa Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460866550-Y19Z2A11JD0M3EPK5L9A/Angie_Snappin_Pics_Eric_Pickersgill_Removed.jpg Works - Angie Snappin' Pics Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461427350-WTJWJ8B15S7762R4YLZL/Michelle_and_Jimmy_Eric_Pickersgill_Removed.jpg Works - Jimmy and Michelle Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460978155-RZMTQ1E55XZFVGPMVUJN/Cody_and_Erica_Eric_Pickersgill_Removed.jpg Works - Cody and Erica Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1480381892518-1ON3UPWWK4N42JSW787V/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-4.jpg Works https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461099676-HR1MO4G54DOILME2HS96/Head-on_Eric_Pickersgill_Removed.jpg Works - Head-on Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460881859-SMDGPA0FLCNDVIF1HX4T/Ashley%27s_Neighbors_Eric_Pickersgill_Removed.jpg Works - Ashley's Neighbors Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460906936-CQ79G0J83BAI8Q0L5F7W/Cameron_Eric_Pickersgill_Removed.jpg Works - Cameron Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1460983419667-F8SJRN0WMNXBSPJE0QTI/rwfa_install_promo16.jpg Works https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461523804-4GUE6Y525AV844X5OQRT/TEDxBend_Eric_Pickersgill_Removed.jpg Works - TEDxBend Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461501153-5ECILTQJ80MCTZR9HIMW/Tanya_and_Addi_Eric_Pickersgill_Removed.jpg Works - Tanya and Addison Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461393775-TJLIZV47CS8A6TB028KX/Kelly_Eric_Pickersgill_Removed.jpg Works - Kelly Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461040937-OHIY610LMDLUQ5H9PL9T/Debbie_and_Kevin_Eric_Pickersgill_Removed.jpg Works - Debbie and Kevin Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461284818-L42APHPQ7V86IXH8B5VO/Jamie_Jodi_and_Aiden_Eric_Pickersgill_Removed.jpg Works Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460925967-C7DFY3B7NY4REMLKAMZ7/Cara_After_Thanksgiving_Eric_Pickersgill_Removed.jpg Works - Cara After Thanksgiving Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461088597-IURUY4A500VJ4RVJHC8X/Grant_Park_Three_Eric_Pickersgill_Removed.jpg Works - Grant Park Three Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460954412-07GJHO2VBBNV9AFXLSNT/Chris%27_Grass_Bussiness_Eric_Pickersgill_Removed.jpg Works - Chris' Grass Business Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464638113932-P0WMCRVTHSHVDGL80TQT/ERICPICKERSGILL1.jpg Works https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461061092-YIFZFE7SPQHFL333T31W/Grant_Eric_Pickersgill_Removed.jpg Works - Grant Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461395903-BV00B25JLIQTJFOZBCST/Kibbitznest_Chicago_Eric_Pickersgill_Removed.jpg Works - Kibbitznest Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461023180-09SUB5J7TB4H44GH8I7L/David_and_Rebecca_Eric_Pickersgill_Removed.jpg Works - David and Rebecca Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461005693-O7WZLD4BCTZIZU5FEAPE/Court_and_Sarah_Eric_Pickersgill_Removed.jpg Works - Courtlyn and Sarah Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461563909-RL1JEH0ZZBHEF3QDKZRW/Wendy_Brian_Hunter_and_Harper_Eric_Pickersgill_Removed.jpg Works - Wendy, Brian, Hunter, and Harper Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483460827585-BNE04DRE8NBPIQAJR36Q/Aaron_and_Scott_Eric_Pickersgill_Removed.jpg Works - Aaron and Scott Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461329483-Z6BYL2JZVOU4PWUW7KUC/Johnathon_Eric_Pickersgill_Removed.jpg Works - John Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461425223-MUAFR9MGJ774AVQ2114Z/Micheal_and_the_man_who_minds_Eric_Pickersgill_Removed.jpg Works - Michael and the man who minds Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461292097-QS038G3Y5SFQ9D0J6D5Z/Jeff_and_Ty_Eric_Pickersgill_Removed.jpg Works - Jeff and Ty Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461409258-GDAEO5OIB0D5LYICN405/Lindsay_and_Louis_Eric_Pickersgill_Removed.jpg Works - Lindsay and Louis Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461534438-KV2HSI6VDAHB3VNLIYDD/TEDxPantheon_Sorbonne_Eric_Pickersgill_Removed.jpg Works - TEDxPantheonSorbonne Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461439357-7FNZ278FVJHT50MGN4UY/Mike_Laurna_Eric_Pickersgill_Removed.jpg Works - Mike and Laurna Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461560459-A7UVTVCNQIVRFOP3GE2M/Vicki_Eric_Pickersgill_Removed.jpg Works - Vicki Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461469822-TR8LKU0BRURN102Q5LX4/Phyllis_Photographing_Eric_Pickersgill_Removed.jpg Works - Phyllis Photographing Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461458479-C335IQ2084LU5OKDVTLY/Nemal_Eric_Pickersgill_Removed.jpg Works - Nemal Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461439624-PQXNZS01XMK1MCR1FROJ/Mom_and_Dad_Eric_Pickersgill_Removed.jpg Works - Mom and Dad Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461456568-CQSUNT0FMMB5WQWLWCEZ/Phyllis_Eric_Pickersgill_Removed.jpg Works - Phyllis Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461491423-VNSRM4WWX6Q3L9YMD84G/Sunrise_Sleeper_Eric_Pickersgill_Removed.jpg Works - Sunrise Sleeper Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461478057-B58SMTK5BCPCH72XE56Q/Smith_Rock_Eric_Pickersgill_Removed.jpg Works - Smithrock Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461513193-D79PSWGJKT96GLESQZZ3/Tate_Eric_Pickersgill_Removed.jpg Works - Tate Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461549355-4CTV3SML20Y6EZHTKQE8/Tree_Shopping_Eric_Pickersgill_Removed.jpg Works - Angie Tree Shopping Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461571249-ZPHDQR7E7XKZ56ATYLVL/William_Christina_Eric_Pickersgill_Removed.jpg Works - William and Christina Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461485190-I9KFRX7DNQO3ZEDY5FHE/Snoopys_Eric_Pickersgill_Removed.jpg Works - Snoopys Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1483461543101-54AO0055OI5KT7WYDUQX/The_Light_Factory_Auction_Eric_Pickersgill_Removed.jpg Works - The Light Factory Auction, 2016 Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1758983138723-DD9VH5SEBHLSBPPWAK7V/image-asset.jpeg Works https://www.removed.social/news daily 0.75 2025-11-11 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1445053270665-DTKDYNAEZYBXNOUCRTFB/Snoopys.jpg News https://www.removed.social/news/eric-pickersgill-i3-lecture-removed-on-youtube monthly 0.5 2025-11-11 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/9624bd28-7a4a-4d57-9fc6-3053929fa168/WDK_2303.jpg News - My i3 Lecture at SVA is now live on YouTube and Vimeo - Make it stand out Photo Courtesy of ©William Douglas King, 2025 https://www.removed.social/news/delta-airlines-jfk-terminal-4-skyclub-installation monthly 0.5 2025-11-06 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1762395467515-XBS8RA8D6L693UTN6RN3/IMG_9152.jpg News - Six Pieces from REMOVED Find a New Home at Delta’s JFK Sky Club - IMG_9152.jpg REMOVED is an ongoing black-and-white photography series by Eric Pickersgill created with a large format film camera. Photographed across the United States, Brazil, Singapore, Myanmar, Indonesia, Vietnam, India, France, and beyond, each image depicts people with their digital devices physically removed before the exposure—revealing the gestures, presence, and disconnection of modern screen use. Exhibited worldwide, the series invites reflection on technology, memory, and human connection. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1762395472207-C46BGI3AXGKWY37ENB5A/IMG_9134.jpg News - Six Pieces from REMOVED Find a New Home at Delta’s JFK Sky Club - IMG_9134.jpg REMOVED is an ongoing black-and-white photography series by Eric Pickersgill created with a large format film camera. Photographed across the United States, Brazil, Singapore, Myanmar, Indonesia, Vietnam, India, France, and beyond, each image depicts people with their digital devices physically removed before the exposure—revealing the gestures, presence, and disconnection of modern screen use. Exhibited worldwide, the series invites reflection on technology, memory, and human connection. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1762395476238-U3WGHGR2H7UP7W0QZR64/IMG_9128.jpg News - Six Pieces from REMOVED Find a New Home at Delta’s JFK Sky Club - IMG_9128.jpg REMOVED is an ongoing black-and-white photography series by Eric Pickersgill created with a large format film camera. Photographed across the United States, Brazil, Singapore, Myanmar, Indonesia, Vietnam, India, France, and beyond, each image depicts people with their digital devices physically removed before the exposure—revealing the gestures, presence, and disconnection of modern screen use. Exhibited worldwide, the series invites reflection on technology, memory, and human connection. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/f3afe33a-a7da-4ee2-9293-a42280998f93/Eric-Pickersgill-with-irma-jfk-terminal-4-delta-sky-club.jpg News - Six Pieces from REMOVED Find a New Home at Delta’s JFK Sky Club - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.removed.social/news/what-we-look-like-without-our-phones monthly 0.5 2025-10-23 https://www.removed.social/news/2025/10/23/removed-rio-innovation-week monthly 0.5 2025-10-23 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/29732373-a0bf-425d-b29f-05c15c2ad552/Co%CC%81pia+de+15082025_INSTALACOES_NAVIO_VELEIRO_DRONE_DJI_0287.jpg News - REMOVED at Rio Innovation Week - Make it stand out Aerial perspective of 165’ long REMOVED Installation at RIW, Rio de Janeiro, Brazil, August, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/0e067de7-80a8-47b9-b5c7-16f4b7873205/Eric-Pickersgill-Artist-Installation-Portrait-Rio-Inovation-Week-2025.jpg News - REMOVED at Rio Innovation Week - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.removed.social/news/eric-pickersgill-i3-photo-lecture-sva-nyc monthly 0.5 2025-09-22 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/ab8bf279-32e6-4602-8932-175271f66c6f/Screenshot+2025-09-21+at+7.15.23%E2%80%AFPM.png News - Thrilled to Join the SVA i3 Photo Lecture Series 10/21 - NYC https://www.removed.social/news/removed-elsewhere-everywhere-nowhere-artist-book-announcement monthly 0.5 2025-07-26 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1753499410228-F76PEZX92JFHOJOVWT8M/Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample5.jpg News - The Book Is Finally Here - A Decade of Work, Now in Your Hands - Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample5.jpg Mock up of Artist Eric Pickersgill's book Removed https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1753499406935-14BGCZ5XDM7SLZKTOFNM/Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample2.jpg News - The Book Is Finally Here - A Decade of Work, Now in Your Hands - Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample2.jpg Mock up of Artist Eric Pickersgill's book Removed https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1753499408910-IFVSWJV9B8BCLYFYR1RZ/Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample3.jpg News - The Book Is Finally Here - A Decade of Work, Now in Your Hands - Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample3.jpg Mock up of Artist Eric Pickersgill's book Removed https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1753499407070-U8D3RLGMOQPW81YM2F3E/Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample1.jpg News - The Book Is Finally Here - A Decade of Work, Now in Your Hands - Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample1.jpg Mock up of Artist Eric Pickersgill's book Removed https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1753499408860-KBIRHWPFYWI749U70IWN/Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample4.jpg News - The Book Is Finally Here - A Decade of Work, Now in Your Hands - Eric-Pickersgill-Snap-Collective-Removed-Arist-Photography-Book-Sample4.jpg Mock up of Artist Eric Pickersgill's book Removed https://www.removed.social/news/vanity-fair-italy-may-2025 monthly 0.5 2025-05-09 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1dfa3b24-8bad-47f7-af47-f9aae2f522fb/fc5eb427-240e-41eb-9629-a07d3f6f089d+2.JPG News - Vanity Fair Italia Feature: Reflections on Technology, Ritual, and Representation - Make it stand out Photo by Sveva Manfredi Zavaglia https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/bffc6ca2-4d12-44de-877e-687a27ee5941/495196709_1077475727746334_4159523674768321337_n.jpg News - Vanity Fair Italia Feature: Reflections on Technology, Ritual, and Representation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/ef250089-0cf9-4451-9e9e-0a1f602d390b/eric-pickersgill-fine-art-photographey-art-collection-print-vanity-fair-tanya.jpg News - Vanity Fair Italia Feature: Reflections on Technology, Ritual, and Representation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/8fcbdfcb-48aa-490f-bef5-809fe5d4848f/eric-pickersgill-fine-art-photographey-art-collection-print-melissa.jpg News - Vanity Fair Italia Feature: Reflections on Technology, Ritual, and Representation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.removed.social/news/pecanprinthouse/continuous-calendar-academic-calendars monthly 0.5 2025-01-28 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/c7fcca1e-12b6-4bec-891b-e3f109d72759/Pecan-Print-House-Icon-Navy.png News - Introducing Pecan Print House: A New Chapter for Our Family - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1738099729412-9DRBU3H1HDSS3P4BH5IW/IMG_5686.jpg News - Introducing Pecan Print House: A New Chapter for Our Family - 2025 Hanging Wall Calendar - A3 - Gradient design, Minimal, Clean, Thick paper, Sunday start, Monday start, Wire binding, Monthly Calendar.jpg Eric and Angie are the co-owners of Pecan Print House, a small, home-based design and print studio in North Carolina. Their journey began in 2016 when they started creating personal family calendars after struggling to find simple, distraction-free designs with clean, empty cells on high-quality, smooth paper. As parents of three young children, they sought a minimalist calendar that brought calm to their chaotic lives—a functional yet peaceful addition to their space. Realizing others shared this need, they combined Eric’s expertise in fine art photography and printing with Angie’s elegant, minimalist design sensibilities to create Pecan Print House. Today, they are thrilled to offer their thoughtfully crafted, high-quality products to help others stay organized and inspired. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1738099765275-6Z1YGGT5OD6SUCKIIU3E/Title+Sage.png News - Introducing Pecan Print House: A New Chapter for Our Family - 2025-2026 Academic Calendar Tall Full Year Monday or Sunday Start College Acceptance Day, Dorm room, class of 2025 gift of the yearpng Give the best possible gift to the amazing student in your life. After College Acceptance Day, give them a congratulation's gift that will set them up for success! Stay organized with our 2025-2026 Academic Continuous Wall Calendar, a beautifully designed yearly planner that seamlessly blends functionality and art. See Your Entire School Year At Once: With its large, continuous layout (measuring 44" x 16" | 112 x 40 cm), this calendar displays your entire year in a single, uninterrupted view — perfect for long-term planning, big-picture thinking, and staying focused. Premium Quality & Writing Experience: Printed on archivally stable Epson Enhanced Matte Paper (10.3 mil thick), the ultra-smooth surface is a dream to write on. Perfect for pens, pencils, or markers, this calendar is durable and made to last all year long. Subtle, Minimal Design: The clean and distraction-free font allows you to focus on what matters most — your plans, goals, and achievements. 9 Stunning Gradient Colors: Elevate your space with a planner that doubles as wall art. Each color features a smooth gradient, fading from light to dark for a sophisticated look. Choose from: Dahlia Pink Pecan Pie Lemon Lime Cream Sage Cotton Candy Reef Blue Lavender Cloudy Perfect for Any Space: Whether it’s your home, office, studio, or classroom, this calendar adds both organization and beauty to any wall. Live Streamers and Content Creators use this is a background for live streaming or as activity for content while live. YouTubers use this to track content creation plans and goals or to engage their audience by writing down the birthdays or important days of the year with their followers. Make your plans visible, your year functional, and your space beautiful. More than just a planner, this continuous wall calendar is a statement piece for dreamers, doers, and organizers. At Pecan Print House, each order is individually printed in our at-home studio with care and precision. Your print is thoughtfully covered with protective tissue paper and rolled into a sturdy mailing tube to ensure it arrives in perfect condition. Product Dimensions: 44" tall x 16" wide (112 x 40 cm) Perfect For: Professionals and remote workers Students and educators Designers and creatives Anyone who loves to plan in style Continuous Wall Calendar Yearly Wall Calendar Large Wall Planner Minimalist Wall Calendar Gradient Wall Calendar 2024 Calendar Annual Wall Planner Year at a Glance Calendar Functional Art Calendar Yearly Calendar Poster Archival Quality Calendar Home Office Wall Decor Modern Calendar Design Studio Wall Planner Organization Tools Full Year Planner Smooth Writing Calendar Gradient Color Calendar Oversized Wall Calendar Subtle Minimal Calendar Workspace Planning Calendar Aesthetic Wall Calendar Large Format Calendar Gift for Planners Creative Studio Calendar Office Wall Art Productivity Calendar Customizable Wall Planner Yearly Organizer Poster https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1738099815499-D303SKGFC8W9U4ZGTXBI/Cotton-Candy-Blue-2025-Continuous-Calendar.png News - Introducing Pecan Print House: A New Chapter for Our Family - Cotton-Candy-Blue-2025-Continuous-Calendar.png Stay organized with our Continuous Wall Calendar, a beautifully designed yearly planner that seamlessly blends functionality and art. See Your Entire Year At Once: With its large, continuous layout (measuring 44" x 16" | 112 x 40 cm), this calendar displays your entire year in a single, uninterrupted view — perfect for long-term planning, big-picture thinking, and staying focused. Premium Quality & Writing Experience: Printed on archivally stable Epson Enhanced Matte Paper (10.3 mil thick), the ultra-smooth surface is a dream to write on. Perfect for pens, pencils, or markers, this calendar is durable and made to last all year long. Subtle, Minimal Design: The clean and distraction-free font allows you to focus on what matters most — your plans, goals, and achievements. 8 Stunning Gradient Colors: Elevate your space with a planner that doubles as wall art. Each color features a smooth gradient, fading from light to dark for a sophisticated look. Choose from: Dahlia Pink Pecan Pie Lemon Sage Cotton Candy Reef Blue Lavender Cloudy Perfect for Any Space: Whether it’s your home, office, studio, or classroom, this calendar adds both organization and beauty to any wall. Make your plans visible, your year functional, and your space beautiful. More than just a planner, this continuous wall calendar is a statement piece for dreamers, doers, and organizers. At Pecan Print House, each order is individually printed in our at-home studio with care and precision. Your print is thoughtfully covered with protective tissue paper and rolled into a sturdy mailing tube to ensure it arrives in perfect condition. Product Dimensions: 44" tall x 16" wide (112 x 40 cm) Perfect For: Professionals and remote workers Students and educators Designers and creatives Anyone who loves to plan in style Continuous Wall Calendar Yearly Wall Calendar Large Wall Planner Minimalist Wall Calendar Gradient Wall Calendar 2024 Calendar Annual Wall Planner Year at a Glance Calendar Functional Art Calendar Yearly Calendar Poster Archival Quality Calendar Home Office Wall Decor Modern Calendar Design Studio Wall Planner Organization Tools Full Year Planner Smooth Writing Calendar Gradient Color Calendar Oversized Wall Calendar Subtle Minimal Calendar Workspace Planning Calendar Aesthetic Wall Calendar Large Format Calendar Gift for Planners Creative Studio Calendar Office Wall Art Productivity Calendar Customizable Wall Planner Yearly Organizer Poster https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1738099796899-KLD5CAAHBGCWEHGFT3R0/IMG_5091.jpg News - Introducing Pecan Print House: A New Chapter for Our Family - pecan-print-house-rainbow-calendar.jpg Eric and Angie are the co-owners of Pecan Print House, a small, home-based design and print studio in North Carolina. Their journey began in 2016 when they started creating personal family calendars after struggling to find simple, distraction-free designs with clean, empty cells on high-quality, smooth paper. As parents of three young children, they sought a minimalist calendar that brought calm to their chaotic lives—a functional yet peaceful addition to their space. Realizing others shared this need, they combined Eric’s expertise in fine art photography and printing with Angie’s elegant, minimalist design sensibilities to create Pecan Print House. Today, they are thrilled to offer their thoughtfully crafted, high-quality products to help others stay organized and inspired. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1738099874953-H3CWKEJQBQTMZUBB3CD7/5.png News - Introducing Pecan Print House: A New Chapter for Our Family - 2025 Printable Continuous Calendar -Modern- SUNDAY and MONDAY start. PDF, Quarterly, Minimal, Easy Read, Download Print Now, Planner Need your 2025 calendar NOW? Download and print at home! Purchase includes: - 2025 Continuous calendar with MONDAY start (Jan - Dec) - Modern style - 2025 Continuous calendar with SUNDAY start (Jan - Dec) - Modern style --------------------------------------------------------------------------- THIS IS A DIGITAL DOWNLOAD. NO PHYSICAL ITEM WILL SHIP. Prefer a printed calendar mailed to your doorstep? We have those too! Check it out: www.pecanprinthouse.com --------------------------------------------------------------------------- Features: - Easy download and print TODAY. - Prints on standard 8.5" x 11" letter paper. (regular computer paper) - Sleek, clean design for maximum writing space - NO SPACE between months. Never miss a plan! - Vertical/portrait orientation - The file is YOURS! Print and re-print as many times as you need. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1738099842016-WHXEJ0ZQZP6MEVWCFZB7/Purple-2025-Continuous-Calendar.png News - Introducing Pecan Print House: A New Chapter for Our Family - Purple-2025-Continuous-Calendar.png Stay organized with our Continuous Wall Calendar, a beautifully designed yearly planner that seamlessly blends functionality and art. See Your Entire Year At Once: With its large, continuous layout (measuring 44" x 16" | 112 x 40 cm), this calendar displays your entire year in a single, uninterrupted view — perfect for long-term planning, big-picture thinking, and staying focused. Premium Quality & Writing Experience: Printed on archivally stable Epson Enhanced Matte Paper (10.3 mil thick), the ultra-smooth surface is a dream to write on. Perfect for pens, pencils, or markers, this calendar is durable and made to last all year long. Subtle, Minimal Design: The clean and distraction-free font allows you to focus on what matters most — your plans, goals, and achievements. 8 Stunning Gradient Colors: Elevate your space with a planner that doubles as wall art. Each color features a smooth gradient, fading from light to dark for a sophisticated look. Choose from: Dahlia Pink Pecan Pie Lemon Sage Cotton Candy Reef Blue Lavender Cloudy Perfect for Any Space: Whether it’s your home, office, studio, or classroom, this calendar adds both organization and beauty to any wall. Make your plans visible, your year functional, and your space beautiful. More than just a planner, this continuous wall calendar is a statement piece for dreamers, doers, and organizers. At Pecan Print House, each order is individually printed in our at-home studio with care and precision. Your print is thoughtfully covered with protective tissue paper and rolled into a sturdy mailing tube to ensure it arrives in perfect condition. Product Dimensions: 44" tall x 16" wide (112 x 40 cm) Perfect For: Professionals and remote workers Students and educators Designers and creatives Anyone who loves to plan in style Continuous Wall Calendar Yearly Wall Calendar Large Wall Planner Minimalist Wall Calendar Gradient Wall Calendar 2024 Calendar Annual Wall Planner Year at a Glance Calendar Functional Art Calendar Yearly Calendar Poster Archival Quality Calendar Home Office Wall Decor Modern Calendar Design Studio Wall Planner Organization Tools Full Year Planner Smooth Writing Calendar Gradient Color Calendar Oversized Wall Calendar Subtle Minimal Calendar Workspace Planning Calendar Aesthetic Wall Calendar Large Format Calendar Gift for Planners Creative Studio Calendar Office Wall Art Productivity Calendar Customizable Wall Planner Yearly Organizer Poster https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1738099851449-YZ66BQAFUD3TBRV0DQKK/small-3-FT-Wall-Calendar-Pecan-Print-House-Gradient-1.png News - Introducing Pecan Print House: A New Chapter for Our Family - small-3-FT-Wall-Calendar-Pecan-Print-House-Gradient-1.png This 3 foot wide or almost 5 foot wide wall calendar really makes a statement. It comes in a 9 different color variations that elegantly add a pop of color while providing practical functionality. Created using premium archival products, this product is durable and meant to be used but also admired! Features: - 24" x 36" or 36" x 54" Horizontal design. - The perfect large size to see the whole year at a glance without being overbearing. - Minimalist design makes it easy and enjoyable to plan your future. - Printed on smooth premium matte paper with archival ink. No flimsy poster paper here. At Pecan Print House, each order is individually printed in our at-home studio with care and precision. Your print is thoughtfully covered with protective tissue paper and rolled into a sturdy mailing tube to ensure it arrives in perfect condition. Perfect For: Professionals and remote workers Students and educators Designers and creatives Anyone who loves to plan in style Dorm Rooms Co-working spaces Start-ups Continuous Wall Calendar Yearly Wall Calendar Large Wall Planner Minimalist Wall Calendar Gradient Wall Calendar 2024 Calendar Annual Wall Planner Year at a Glance Calendar Functional Art Calendar Yearly Calendar Poster Archival Quality Calendar Home Office Wall Decor Modern Calendar Design Studio Wall Planner Organization Tools Full Year Planner Smooth Writing Calendar Gradient Color Calendar Oversized Wall Calendar Subtle Minimal Calendar Workspace Planning Calendar Aesthetic Wall Calendar Large Format Calendar Gift for Planners Creative Studio Calendar Office Wall Art Productivity Calendar Customizable Wall Planner Yearly Organizer Poster https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1738099852534-WLY6PK6FISQO0LCYCL7B/Pecan-Print-House-Logo-Dark.png News - Introducing Pecan Print House: A New Chapter for Our Family - Pecan-Print-House-Logo-Dark.png pecan print house - Welcome to Pecan Print House! In our cozy home studio, we craft minimalist, high-quality calendars with care and love. Pecan Print House was born from our family's quest for calm amidst chaos, creating minimalist, high-quality calendars originally by us, now available to you! Eric and Angie are the co-owners of Pecan Print House, a small, home-based design and print studio in North Carolina. Their journey began in 2016 when they started creating personal family calendars after struggling to find simple, distraction-free designs with clean, empty cells on high-quality, smooth paper. As parents of three young children, they sought a minimalist calendar that brought calm to their chaotic lives—a functional yet peaceful addition to their space. Realizing others shared this need, they combined Eric’s expertise in fine art photography and printing with Angie’s elegant, minimalist design sensibilities to create Pecan Print House. Today, they are thrilled to offer their thoughtfully crafted, high-quality products to help others stay organized and inspired. https://www.removed.social/news/2024/9/12/removed-renewed-exhibition-opening-saturday-914 monthly 0.5 2024-09-13 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/17a48dc7-689b-4ea8-8a30-85e9db956900/gallery1promo.jpg News - REMOVED, RENEWED, exhibition opening Saturday, 9/14 https://www.removed.social/news/2019/8/18/removed-published-in-austrian-beauty-blog monthly 0.5 2019-08-18 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1566139311715-65RRP9JIFREXNB9YBI8T/Screen+Shot+2019-08-18+at+10.25.18+AM.png News - REMOVED Published in Austrian Beauty Blog Image: "Rooftop Swimmer" 2018, Hanoi, Vietnam - See more of this work at www.removed.social/asean-portfolio https://www.removed.social/news/2g1p-fake-facebook-events-area51-noshow-podcast-interview monthly 0.5 2019-08-05 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1565030500853-4OYKAFYJNVUDMFQ2J8CZ/Screen+Shot+2019-08-05+at+2.32.49+PM.png News - NOSHOW conversation on 2 Girls 1 Podcast LIVE now! https://www.removed.social/news/wireltern-magazine-published-photography-photo-editor-tech-addiction-parenting monthly 0.5 2019-06-12 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353463812-U5UOIEX2NHFH4TU5YLL1/IMG_7043.jpg News - Removed in Print, Wireltern Magazine / Switzerland https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353463899-YV9UCHDIL050SLWD4LU3/IMG_7044.jpg News - Removed in Print, Wireltern Magazine / Switzerland https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353486366-2PYZZQITMUV9W03CCYJ4/IMG_7045.jpg News - Removed in Print, Wireltern Magazine / Switzerland https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353486241-81HCZMX0NECIVA8KAXVW/IMG_7046.jpg News - Removed in Print, Wireltern Magazine / Switzerland https://www.removed.social/news/vallum-magazine-eric-pickersgill-cover monthly 0.5 2019-06-12 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556134381181-63JDCDRJ9MVG74D5ZZMB/Screen+Shot+2019-04-24+at+3.29.20+PM.png News - Removed image "Ex-Couple" - cover of Vallum Magazine https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353862066-52HWNEXL6JILIHJZMC9E/IMG_7034.jpg News - Removed image "Ex-Couple" - cover of Vallum Magazine https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353864076-VDPL52BLWDH4P8MUWJ2U/IMG_7037.jpg News - Removed image "Ex-Couple" - cover of Vallum Magazine https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353882799-RQNO718AYOHOUIIANKE1/IMG_7038.jpg News - Removed image "Ex-Couple" - cover of Vallum Magazine https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353880371-CRV36K7GRB18J4B62YJQ/IMG_7039.jpg News - Removed image "Ex-Couple" - cover of Vallum Magazine https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353898530-8AJ9RS04X64LY49ZBO0P/IMG_7040.jpg News - Removed image "Ex-Couple" - cover of Vallum Magazine https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353901196-PUH7JCL26NGSSO8P62HV/IMG_7041.jpg News - Removed image "Ex-Couple" - cover of Vallum Magazine https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353914891-4UR5ACYDX90893WR0WP2/IMG_7042.jpg News - Removed image "Ex-Couple" - cover of Vallum Magazine https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1560353917016-P53O1C2UK59XIT5QZ6ZM/IMG_7035.jpg News - Removed image "Ex-Couple" - cover of Vallum Magazine https://www.removed.social/news/2019/4/24/musee-magazine-review-of-the-space-between monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124811921-XGA7VACIXFT408PGDP68/Screen+Shot+2019-04-24+at+12.52.27+PM.png News - Musee Magazine review of "The Space Between" https://www.removed.social/news/2019/4/24/review-of-the-space-between-exhibition-on-what-will-you-remember monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124570760-22PFL2M9KGQITIVPYRTH/Screen+Shot+2019-04-24+at+12.47.59+PM.png News - Review of "The Space Between" Exhibition on What will you remember? https://www.removed.social/news/concordian-art-souterrain monthly 0.5 2019-04-26 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556133940155-UE0684DQ01VBCK5S4KO6/Screen+Shot+2019-04-24+at+3.23.24+PM.png News - Review of Removed exhibition at Art Souterrain Festival by The Concordian https://www.removed.social/news/2019/4/24/new-studio-space monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556119917046-ZGRB4CRN8YGBPAIJZJHB/54224966_2160840020648403_5883782089425289216_o.jpg News - New Studio Space! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556119917045-FVM996GXCOILMAA3P9RT/53545923_2160839987315073_2678079548356034560_o.jpg News - New Studio Space! https://www.removed.social/news/2019/4/24/angie-and-me-featured-in-the-space-between-exhibition-at-julie-saul-gallery-nyc monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124004938-K0MW85XYCZEAEORFKNOQ/IMG_5369.jpg News - "Angie and Me" Featured in The Space Between exhibition at Julie Saul Gallery, NYC https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124010858-B3L17X5G04NYVK7NIXNM/20190309_112648.JPG News - "Angie and Me" Featured in The Space Between exhibition at Julie Saul Gallery, NYC https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124041467-FFMQD8CMQ08SVG98238D/20190309_112707.JPG News - "Angie and Me" Featured in The Space Between exhibition at Julie Saul Gallery, NYC https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124010116-5XCLCSTBXKZBMB87IXAM/20190309_121617.JPG News - "Angie and Me" Featured in The Space Between exhibition at Julie Saul Gallery, NYC https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124017784-83HUSKE8676MLBZ63RUS/20190309_112613.JPG News - "Angie and Me" Featured in The Space Between exhibition at Julie Saul Gallery, NYC https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124017786-6M61FIY4Z90AMPJ7PWAH/20190309_112707.JPG News - "Angie and Me" Featured in The Space Between exhibition at Julie Saul Gallery, NYC https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556124042098-JR3RAEC6K3VOZG0C8OO2/20190309_112613.JPG News - "Angie and Me" Featured in The Space Between exhibition at Julie Saul Gallery, NYC https://www.removed.social/news/2019/4/24/removed-mentioned-on-forbes-about-national-day-of-unplugging monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556135590485-1OON42AQ9H809QZ171ER/Screen+Shot+2019-04-24+at+3.52.02+PM.png News - Removed mentioned on Forbes about National Day of Unplugging https://www.removed.social/news/art-souterrain-montreal-art-eric-pickersgill-removed monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556118321509-QU2Z8M2OUPRSX1VHZ03A/101-Nuit-Blanche-2019-Eric-Pickersgill-photo-Mike-Patten.jpg News - Removed - Solo Exhibition at Art Souterrain Festival 2019 / Montreal, Canada https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556118347005-5NM4VYI9T1L06Q0RAMT6/104-Nuit-Blanche-2019-Eric-Pickersgill-photo-Mike-Patten.jpg News - Removed - Solo Exhibition at Art Souterrain Festival 2019 / Montreal, Canada https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556118320494-7JSBA4XXVCGOAWPEN2UT/098-Nuit-Blanche-2019-Eric-Pickersgill-photo-Mike-Patten.jpg News - Removed - Solo Exhibition at Art Souterrain Festival 2019 / Montreal, Canada https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556118354526-JU1XYEVFUPDI6007Z2LL/111-Nuit-Blanche-2019-Eric-Pickersgill-photo-Mike-Patten.jpg News - Removed - Solo Exhibition at Art Souterrain Festival 2019 / Montreal, Canada https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556118379083-XN8JF3JT9DTHN78HLDON/105-Nuit-Blanche-2019-Eric-Pickersgill-photo-Mike-Patten.jpg News - Removed - Solo Exhibition at Art Souterrain Festival 2019 / Montreal, Canada https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556118374393-JSCKONIE0O4HQP4KRU5Q/112-Nuit-Blanche-2019-Eric-Pickersgill-photo-Mike-Patten.jpg News - Removed - Solo Exhibition at Art Souterrain Festival 2019 / Montreal, Canada https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556118401244-S46KTJ1SVD2X43GRI50V/100-Nuit-Blanche-2019-Eric-Pickersgill-photo-Mike-Patten.jpg News - Removed - Solo Exhibition at Art Souterrain Festival 2019 / Montreal, Canada https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556118399065-J6V95S0FJ7NQE867Y6GG/107-Nuit-Blanche-2019-Eric-Pickersgill-photo-Mike-Patten.jpg News - Removed - Solo Exhibition at Art Souterrain Festival 2019 / Montreal, Canada https://www.removed.social/news/2019/4/24/prints-from-removed-asean-found-a-new-home-in-hong-kong monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556120175291-N46HBVKAQW56PRFTZAXE/52602558_2132665206799218_4713312821620768768_o.jpg News - Prints from Removed ASEAN found a new home in Hong Kong! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556120175123-H3JBWX4LDYJOAKTK438R/52588580_2132665093465896_1114552354138488832_o.jpg News - Prints from Removed ASEAN found a new home in Hong Kong! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556120175976-541VDV22Z7H3B6YBRMIY/52684493_2132664986799240_2095704033380532224_o.jpg News - Prints from Removed ASEAN found a new home in Hong Kong! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556120177005-WJNF1RU5J7R4DV493FWC/52480981_2132665050132567_1463111928283922432_o.jpg News - Prints from Removed ASEAN found a new home in Hong Kong! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556120176782-NFY032KZZU3XLRIH0UL5/52498799_2132665156799223_1651313615623421952_o.jpg News - Prints from Removed ASEAN found a new home in Hong Kong! https://www.removed.social/news/hello-robot-lisbon-maat-removed-eric-pickersgill monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556115341495-OQGTYVPCR6XE3QXQXFOI/eric-pickersgill-removed-maat-hello-robot-exhibition.jpg News - HELLO, ROBOT. DESIGN BETWEEN HUMAN AND MACHINE opens in Lisbon at MAAT https://www.removed.social/news/noshow-cars-fake-event-facebook-fooled-news-eric-pickersgill-photography monthly 0.5 2019-01-14 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1547483472613-UG803J8OZV95JGPZ79ZM/hoods-up-eric-pickersgill-fake-news-facebook-event-technology-fooled-internet News - Before "Fake News", Photograph from my NoShow series at Eyes on MAIN Street, Wilson NC Hoods Up, 2016 / Morganton, NC https://www.removed.social/news/asc-eric-pickersgill-charlotte-regional-artist-project-grant monthly 0.5 2019-04-24 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1556116098152-KDUQJHY7KVNJ02JG0AB8/ASC.logo.tag.vert.jpg News - Awarded The 2019 ASC Regional Artist Project Grant! https://www.removed.social/news/summer-18-studio-update-the-world-edition-eric-pickersgill-removed monthly 0.5 2018-09-09 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536476105625-7D1XA3FIBDXJRGX0BDWV/2.jpg News - Studio Update, The World Edition So much exciting news that only some of it will fit in this update. Here are the happenings from last winter to now, from India, to Switzerland, to Vietnam and back again. The biggest and most current news is that Thursday I will travel to Vietnam for an exhibition of new "Removed" photographs that were supported by The World Economic Forum. More information on that and much much more below! As always thank you so much for your support. Huge things are happening and I am trying to be better at keeping you up to date with all of it. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536476184723-W4DKR3OV2N3J0EFTKFU5/3.png News - Studio Update, The World Edition I am incredibly fortunate to be working with Rick Wester Fine Art who has now made my work available online via ARTSY. Please support my practice and my family by collecting my prints. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536476372880-TQSQQ7WNUW4A2CDDMUT3/4.jpg News - Studio Update, The World Edition https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536477464270-M5WU7BNLN3399GV88SOU/5.jpg News - Studio Update, The World Edition I have been waiting for, and working on this exhibition all year! I met the prolific curator Francois Cheval while in Lianzhou, China last fall. When I told him about NoShow he was immediately enthusiastic about bringing the project to France. This will be my first major solo exhibition in Europe and will include photographs, video, audio, and sculpture. More information about the series can be found here. The exhibition ran from early October to mid December 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536477524442-I6YRV2BQPJXYU4R5JRB3/6.jpg News - Studio Update, The World Edition Three pieces from Removed are still on their journey around the world as part of the exhibition, Hello, Robot. Design Between Man and Machine. The five year tour began at the Vitra Design Museum in Germany, it was later installed at Design Museum Gent in Belgium and is currently on display at the Switzerland based museum Gewerbemuseum Winterthur. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536477716881-EYPOIEDNW6BSA5HKPW4F/7.jpg News - Studio Update, The World Edition https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536477747356-LLN1A27D2ZVWQZ2ADSYX/8.jpg News - Studio Update, The World Edition https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536477776060-8TYNVO1CYE66JQJJTER3/9.png News - Studio Update, The World Edition Last year I helped with the student gallery and workshops for the kids of Wilson to create an exhibition of their work. This year I was asked to be one of the 100 participating artists in the Eyes on Main Street Wilson Outdoor Photo Festival. My photograph "Jamie, Jody, and Aiden, 2014" was selected this year and was on exhibit in downtown Wilson, NC from April until August. I will have work from my NoShow series in next years festival. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536477828589-HEJM9K2D4L0LI2ASN2T7/10.jpg News - Studio Update, The World Edition "Every day we encounter family members, friends, visitors, and strangers; over the course of our lives, our social circle continues to expand. Modern technology makes us feel more connected than ever, allowing us to “meet” endless friends at any time through our screens and to feel like we are never alone. Is this true? This exhibition uses artworks to examine the changing social landscape of the virtual age, illuminating the importance of real relationships in our lives. Visitors are invited to witness encounters – from their first moments to their eventual conclusion – and rediscover the value of face-to-face encounters. Such meetings present invaluable opportunities to deepen our knowledge and understanding of the other, and therefore of ourselves." Curator: Shir Meller-Yamaguchi https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536477881243-WIQ0UHW6DPNTCQGSAP3Z/11.png News - Studio Update, The World Edition https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536477945620-XO86SR1EYGUGD5Q496DS/12.jpg News - Studio Update, The World Edition The World Economic Forum recently reached out to me with the idea of creating new Removed photographs that would represent a glimpse into digital culture across Southeast Asia. In June I spent several weeks photographing across Vietnam, Myanmar, Singapore, and Indonesia. On September 11th, 2018 a selection of the photographs will be revealed at The World Economic Forum on ASEAN 2018 Summit in Hanoi, Vietnam where I will engage with economic leaders on the topics surrounding my work. I'm very excited about the new photographs and can't wait to see where they end up after the summit. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536478003908-OD2VBXVSD4P8N99KX532/13.jpg News - Studio Update, The World Edition https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536478053014-9IH1WGPQAWKBCNQ89HXG/14.jpg News - Studio Update, The World Edition Last November I traveled all across India with the film maker Jessica Sadana and her amazing crew creating Removed photographs and interviewing dozens of people. Our journey was recorded and is now being finalized as a short documentary film which will be released in the next few months. Please keep an eye out for that. I think it will be a film as moving as the photographs I made. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1536478156877-X8AYQX1IY9J375A88W8M/15.png News - Studio Update, The World Edition The amazing photo consultant and my lovely agent, Julie Grahame and I will be heading down to Georgia for a workshop on our professional best practices and I'm sure some insight to the horror stories as well. It should be a really fun time together. Sign up if you are in the area! https://www.removed.social/news/fisheye-magazine-noshow-feature monthly 0.5 2018-01-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514917749579-H15OJP9N8VHP3298P9JD/IMG_1390.jpg News - NoShow Featured in Fisheye Magazine https://www.removed.social/news/2018/1/2/noshow-exhibition-merignac-photographic-festival monthly 0.5 2018-01-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913829547-HSTYMMXT7XLN1UEAPDJA/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-49.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913703345-T5PDTQV3U6A1BF2O3O5Y/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-5.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913739602-15KCBLW4O6ETCXJ43E4I/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-14.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913671259-F6V7GD30XUG5APSLYREK/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-2.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913703059-K2XVQT69YFW26BF7SM86/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-6.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913766126-3HUUMPBWE8WZ0P5R0CTR/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-19.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913671030-T0M44B28J4WDDMECYYFB/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-3.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913736528-7PTPN97D8PXFF3WG4OR4/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-11.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913797769-4Q4DTS5X1OQ6C8GOTOVM/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-43.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913764187-VLG8CR8Y8OZY1FE8TUIB/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-27.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913833864-2S9MPOQETLOI5VP134ZA/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-51.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913846752-H4PLA88RIPHK041MN4L8/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-52.jpg News - NoShow Exhibition - Merignac Photographic Festival https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1514913794547-81AX40W2CV0I3MOCS9H6/HD_EXHIBITION_PICKERSGILL_MERIGNAC_2017-39.jpg News - NoShow Exhibition - Merignac Photographic Festival https://www.removed.social/news/semana-magazine-columbia-removed-smartphones-eric-pickersgill-interview monthly 0.5 2017-09-06 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1504664234011-LL8DXHZAU3QPO46W7SO3/Screen+Shot+2017-09-05+at+10.07.12+PM.png News - Interview with Semana in Columbia https://www.removed.social/news/studio-update-news-email-newsletter-artist-example monthly 0.5 2017-09-04 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1504484774478-FT35USSPKQHY06QWVYUS/Screen+Shot+2017-09-03+at+8.20.38+PM.png News - End of Summer Studio Update! https://www.removed.social/news/2017/8/29/podcast-interview-with-the-photo-tellers monthly 0.5 2017-08-29 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1504005505272-L3175DKV6WUK2F1LQGXH/eric_pickersgill_noshow_removed_smartphones_fakenews_events_phototellers_fireside_network_interview_podcast.png News - Podcast Interview with The Photo Tellers https://www.removed.social/news/2017/5/15/the-merignac-photographic-festival-2017-unveiled monthly 0.5 2017-05-15 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1494862754842-HBT2N9SD1QZEX4Q6583O/eric_pickersgill_no_show_noshow_merignac_photographic_festival_france_photography.png News - The Merignac Photographic Festival 2017 Unveiled! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1494862730280-R8M68FR2GXS1X0BI24HC/mericnac_photo_festival_noshow_eric_pickersgill_paris_press_event.jpg News - The Merignac Photographic Festival 2017 Unveiled! https://www.removed.social/news/lianzhou-chongqing-2017-china-exhibition-photography-fine-art-eric-pickersgill monthly 0.5 2017-05-05 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914251041-F76G083PYUUDZ4K6UHYW/IMG_1673.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914250638-NJE0NFHS9RDZ6JPWWL26/IMG_1710.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914258111-S4NULLS8PNN1CDKIMOAD/IMG_1711.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914257841-O2I4QF3NFT7U70OH7AYS/IMG_1712.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914263702-Q1JSBJ8BP7CEEFM33QCP/IMG_1713.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914263906-WMKIEBZ8B05G16IPZMYK/IMG_1714.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914269897-1YETIUXPKL68HQN366VG/IMG_1715.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914270806-NAOCUZOGSYDFPZH1EJH3/IMG_1716.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914275511-V2AVCEQKSF1HMIM0S828/IMG_1717.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914276929-XEH5CR2KFN0R9RMYSBCC/IMG_1718.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914282670-HH647V8ELG9DIL4IT0B4/IMG_1719.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914282758-STH8YDPZJER1ZIK7H19X/IMG_1720.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914291403-S3HXG01OSIQ33KS0V3B8/IMG_1721.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914287853-NTKO33TL7VUH9AVAVQBN/IMG_1722.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914295389-SD3X64TC7AEXA5MR06BZ/IMG_1723.JPG News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914413035-YN7N4EZATECJ38BJOR5M/UNADJUSTEDNONRAW_thumb_708.jpg News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914472190-154ITV5Y9O297Z93JX39/UNADJUSTEDNONRAW_thumb_745.jpg News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914472260-ZLH5ZF26CV8RPDW1N3JG/UNADJUSTEDNONRAW_thumb_746.jpg News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914472932-L0RBLLADY3WQE3X7OWJC/UNADJUSTEDNONRAW_thumb_748.jpg News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493914473151-IBOZUB2N05RTDMBCZV58/UNADJUSTEDNONRAW_thumb_749.jpg News - Lianzhou Foto Festival Removed Exhibition Travels to Chongqing, China https://www.removed.social/news/aipad-2017-the-photography-show-rwfa-removed-gelatin-silver-print monthly 0.5 2017-05-04 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493910772783-4W88SJCWBDBNAG9S286U/IMG_0230.JPG News - "Melissa, 2014" Gelatin Silver Print at AIPAD "Melissa" at The Photography Show '17 / RWFA Booth #605 / Photo by Julie Grahame https://www.removed.social/news/2017/5/2/removed-at-vitra-design-museum-in-germany monthly 0.5 2017-05-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493740447258-LZZS43I8WEIY8WL0ZWSM/image-asset.jpeg News - Removed at Vitra Design Museum, Germany! Fellow Columbia College Chicago Alum Cocar Barton-Wooty Woo with his beautiful family visiting my work at the Vitra Design Museum exhibition #hellorobot. The work will travel to Vienna and Gent later this year! https://www.removed.social/news/2017/5/3/cctv-interview-goes-live-after-filming-from-chicago-to-charlotte monthly 0.5 2017-05-03 https://www.removed.social/news/2017/1/11/removed-series-brought-me-all-the-way-to-china-for-lianzhou-foto-festival monthly 0.5 2017-05-03 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484163468409-ISS4HP201U2L3OL9ODMV/Lianzhou_Foto_Festival_China_Catalog_Eric_Pickersgill_Removed+%282%29.JPG News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. I have to thank Francois Cheval for being not just an irreplaceable figure in the history of photography but for also being so warm and welcoming and supportive of my work. He found Removed like so many others online and immediately reached out to me with an invitation to exhibit the series in Lianzhou, China. Francois is the kind of photography lover who oozes with passion and excitement over images. I was fortunate enough to be invited to China for the exhibition and festival and to spend time with Francois and his team which turned out to be a trip of a lifetime. I spent late nights singing at the KTV and making new friends, all of which were gathering to celebrate the incredible Lianzhou Foto Festival. This year was also special for the festival as it was the opening celebration for the Lianzhou Photography Museum that will undoubtedly change the future of photography for that region and beyond. The entire city was supportive of the festival and thousands of residents gathered in the city center for the opening celebration. It really was a refreshing reminder of why I make the work that I do and how incredibly powerful and unifying art can be. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my d   Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. I have to thank Francois Cheval for being not just an irreplaceable figure in the history of photography but for also being so warm and welcoming and supportive of my work. He found Removed like so many others online and immediately reached out to me with an invitation to exhibit the series in Lianzhou, China. Francois is the kind of photography lover who oozes with passion and excitement over images. I was fortunate enough to be invited to China for the exhibition and festival and to spend time with Francois and his team which turned out to be a trip of a lifetime. I spent late nights singing at the KTV and making new friends, all of which were gathering to celebrate the incredible Lianzhou Foto Festival. This year was also special for the festival as it was the opening celebration for the Lianzhou Photography Museum that will undoubtedly change the future of photography for that region and beyond. The entire city was supportive of the festival and thousands of residents gathered in the city center for the opening celebration. It really was a refreshing reminder of why I make the work that I do and how incredibly powerful and unifying art can be. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. Removed; Eric Pickersgill; Lianzhou; Foto; festival; installation; china; exhibition; francios; cheval; Photography; Technology; Devices; Device Use; Smartphone; Smartphones; Habits; phones; tablets; iphone; galaxy; ipad; tech; relationships; addiction; selfie; instagram; snapchat; silent-pocket; text; texting; society; phubbing; Artist; view camera; large format; 4x5; ilford; kodak; film; black and white; grayscale; connection; connected; connectivityRemoved; Eric Pickersgill; Photography; Technology; Devices; Device Use; Smartphone; Smartphones; Habits; phones; tablets; iphone; galaxy; ipad; tech; relationships; addiction; selfie; instagram; snapchat; apple; twitter; text; texting; society; phubbing; Artist; view camera; large format; 4x5; ilford; kodak; film; black and white; grayscale; connection; connected; connectivity; family; eric; pickersgill; b&w; prints; print; collect; collector; collection; fineart; rwfa; rick wester fine art; gelating silver print; gelatin; silver; print; international; global; universal; julie grahame; distracted; driving; post; truth; posttruth; digitalself; online; life; contemporary; fake; news; share; post; like; likes; liveonline; #Removed; #Eric Pickersgill; #Lianzhou; #Foto; #festival; #installation; #china; #exhibition; #francios; #cheval; #Photography; #Technology; #Devices; #Device Use; #Smartphone; #Smartphones; #Habits; #phones; #tablets; #iphone; #galaxy; #ipad; #tech; #relationships; #addiction; #selfie; #instagram; #snapchat; #apple; #twitter; #text; #texting; #society; #phubbing; #Artist; #view camera; #large format; #4x5; #ilford; #kodak; #film; #black and white; #grayscale; #connection; #connected; #connectivity; #family; #eric; #pickersgill; #b&w; #prints; #print; #collect; #collector; #collection; #fineart; #rwfa; #rick wester fine art; #gelating silver print; #gelatin; #silver; #print; #international; #global; #universal; #julie grahame; #distracted; #driving; #post; #truth; #posttruth; #digitalself; #online; #life; #contemporary; #fake; #news; #share; #post; #like; #likes; #liveonline https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484163465133-ES2RYYO3NITTNPMZS6JD/Lianzhou_Foto_Festival_China_Catalog_Eric_Pickersgill_Removed+%281%29.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. I have to thank Francois Cheval for being not just an irreplaceable figure in the history of photography but for also being so warm and welcoming and supportive of my work. He found Removed like so many others online and immediately reached out to me with an invitation to exhibit the series in Lianzhou, China. Francois is the kind of photography lover who oozes with passion and excitement over images. I was fortunate enough to be invited to China for the exhibition and festival and to spend time with Francois and his team which turned out to be a trip of a lifetime. I spent late nights singing at the KTV and making new friends, all of which were gathering to celebrate the incredible Lianzhou Foto Festival. This year was also special for the festival as it was the opening celebration for the Lianzhou Photography Museum that will undoubtedly change the future of photography for that region and beyond. The entire city was supportive of the festival and thousands of residents gathered in the city center for the opening celebration. It really was a refreshing reminder of why I make the work that I do and how incredibly powerful and unifying art can be. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my d   Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. I have to thank Francois Cheval for being not just an irreplaceable figure in the history of photography but for also being so warm and welcoming and supportive of my work. He found Removed like so many others online and immediately reached out to me with an invitation to exhibit the series in Lianzhou, China. Francois is the kind of photography lover who oozes with passion and excitement over images. I was fortunate enough to be invited to China for the exhibition and festival and to spend time with Francois and his team which turned out to be a trip of a lifetime. I spent late nights singing at the KTV and making new friends, all of which were gathering to celebrate the incredible Lianzhou Foto Festival. This year was also special for the festival as it was the opening celebration for the Lianzhou Photography Museum that will undoubtedly change the future of photography for that region and beyond. The entire city was supportive of the festival and thousands of residents gathered in the city center for the opening celebration. It really was a refreshing reminder of why I make the work that I do and how incredibly powerful and unifying art can be. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. Removed; Eric Pickersgill; Lianzhou; Foto; festival; installation; china; exhibition; francios; cheval; Photography; Technology; Devices; Device Use; Smartphone; Smartphones; Habits; phones; tablets; iphone; galaxy; ipad; tech; relationships; addiction; selfie; instagram; snapchat; silent-pocket; text; texting; society; phubbing; Artist; view camera; large format; 4x5; ilford; kodak; film; black and white; grayscale; connection; connected; connectivityRemoved; Eric Pickersgill; Photography; Technology; Devices; Device Use; Smartphone; Smartphones; Habits; phones; tablets; iphone; galaxy; ipad; tech; relationships; addiction; selfie; instagram; snapchat; apple; twitter; text; texting; society; phubbing; Artist; view camera; large format; 4x5; ilford; kodak; film; black and white; grayscale; connection; connected; connectivity; family; eric; pickersgill; b&w; prints; print; collect; collector; collection; fineart; rwfa; rick wester fine art; gelating silver print; gelatin; silver; print; international; global; universal; julie grahame; distracted; driving; post; truth; posttruth; digitalself; online; life; contemporary; fake; news; share; post; like; likes; liveonline; #Removed; #Eric Pickersgill; #Lianzhou; #Foto; #festival; #installation; #china; #exhibition; #francios; #cheval; #Photography; #Technology; #Devices; #Device Use; #Smartphone; #Smartphones; #Habits; #phones; #tablets; #iphone; #galaxy; #ipad; #tech; #relationships; #addiction; #selfie; #instagram; #snapchat; #apple; #twitter; #text; #texting; #society; #phubbing; #Artist; #view camera; #large format; #4x5; #ilford; #kodak; #film; #black and white; #grayscale; #connection; #connected; #connectivity; #family; #eric; #pickersgill; #b&w; #prints; #print; #collect; #collector; #collection; #fineart; #rwfa; #rick wester fine art; #gelating silver print; #gelatin; #silver; #print; #international; #global; #universal; #julie grahame; #distracted; #driving; #post; #truth; #posttruth; #digitalself; #online; #life; #contemporary; #fake; #news; #share; #post; #like; #likes; #liveonline https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484163470379-MGDS73JTIMLJP9V6FCH2/Lianzhou_Foto_Festival_China_Catalog_Eric_Pickersgill_Removed.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. I have to thank Francois Cheval for being not just an irreplaceable figure in the history of photography but for also being so warm and welcoming and supportive of my work. He found Removed like so many others online and immediately reached out to me with an invitation to exhibit the series in Lianzhou, China. Francois is the kind of photography lover who oozes with passion and excitement over images. I was fortunate enough to be invited to China for the exhibition and festival and to spend time with Francois and his team which turned out to be a trip of a lifetime. I spent late nights singing at the KTV and making new friends, all of which were gathering to celebrate the incredible Lianzhou Foto Festival. This year was also special for the festival as it was the opening celebration for the Lianzhou Photography Museum that will undoubtedly change the future of photography for that region and beyond. The entire city was supportive of the festival and thousands of residents gathered in the city center for the opening celebration. It really was a refreshing reminder of why I make the work that I do and how incredibly powerful and unifying art can be. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my d   Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. I have to thank Francois Cheval for being not just an irreplaceable figure in the history of photography but for also being so warm and welcoming and supportive of my work. He found Removed like so many others online and immediately reached out to me with an invitation to exhibit the series in Lianzhou, China. Francois is the kind of photography lover who oozes with passion and excitement over images. I was fortunate enough to be invited to China for the exhibition and festival and to spend time with Francois and his team which turned out to be a trip of a lifetime. I spent late nights singing at the KTV and making new friends, all of which were gathering to celebrate the incredible Lianzhou Foto Festival. This year was also special for the festival as it was the opening celebration for the Lianzhou Photography Museum that will undoubtedly change the future of photography for that region and beyond. The entire city was supportive of the festival and thousands of residents gathered in the city center for the opening celebration. It really was a refreshing reminder of why I make the work that I do and how incredibly powerful and unifying art can be. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. Removed; Eric Pickersgill; Lianzhou; Foto; festival; installation; china; exhibition; francios; cheval; Photography; Technology; Devices; Device Use; Smartphone; Smartphones; Habits; phones; tablets; iphone; galaxy; ipad; tech; relationships; addiction; selfie; instagram; snapchat; silent-pocket; text; texting; society; phubbing; Artist; view camera; large format; 4x5; ilford; kodak; film; black and white; grayscale; connection; connected; connectivityRemoved; Eric Pickersgill; Photography; Technology; Devices; Device Use; Smartphone; Smartphones; Habits; phones; tablets; iphone; galaxy; ipad; tech; relationships; addiction; selfie; instagram; snapchat; apple; twitter; text; texting; society; phubbing; Artist; view camera; large format; 4x5; ilford; kodak; film; black and white; grayscale; connection; connected; connectivity; family; eric; pickersgill; b&w; prints; print; collect; collector; collection; fineart; rwfa; rick wester fine art; gelating silver print; gelatin; silver; print; international; global; universal; julie grahame; distracted; driving; post; truth; posttruth; digitalself; online; life; contemporary; fake; news; share; post; like; likes; liveonline; #Removed; #Eric Pickersgill; #Lianzhou; #Foto; #festival; #installation; #china; #exhibition; #francios; #cheval; #Photography; #Technology; #Devices; #Device Use; #Smartphone; #Smartphones; #Habits; #phones; #tablets; #iphone; #galaxy; #ipad; #tech; #relationships; #addiction; #selfie; #instagram; #snapchat; #apple; #twitter; #text; #texting; #society; #phubbing; #Artist; #view camera; #large format; #4x5; #ilford; #kodak; #film; #black and white; #grayscale; #connection; #connected; #connectivity; #family; #eric; #pickersgill; #b&w; #prints; #print; #collect; #collector; #collection; #fineart; #rwfa; #rick wester fine art; #gelating silver print; #gelatin; #silver; #print; #international; #global; #universal; #julie grahame; #distracted; #driving; #post; #truth; #posttruth; #digitalself; #online; #life; #contemporary; #fake; #news; #share; #post; #like; #likes; #liveonline https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821760364-Z4WZFPC3TNIQ994ZOL2P/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-0.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821758428-MQWAPC4ABMHLGIAKMTTF/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-1+%281%29.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821765642-NIOCXVO9ITEY1LII3M7M/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-1.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821768228-IPTQH3ABFJ623YKPQ40O/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-2+%281%29.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821773057-G1R3I6D1VREZ4UTAZP81/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-2.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821776336-IQ411EU7HUP4FG6MWZWQ/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-3+%281%29.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821778492-3JDIJOIJ1H8XLTMSA6FG/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-3.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821782411-HPGUBISICYHZCWOQQ9LM/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-4+%281%29.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821785856-VTK3KCP8ZYCCE8RED9J3/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-4.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821789266-NS6XLIK2N1IS0SWA3J75/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-5.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821791355-PLWFBGA0YI9K6GA5HHII/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-6.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821796379-FFJQHC1DCSOH8MM42UN6/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-7.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821797593-04J8DITPRODNYA7VX74X/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-8.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493821800610-RFSZ83191PCW03E0525M/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-9.jpg News - Removed series brought me all the way to China for Lianzhou Foto Festival Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://www.removed.social/news/liberation-magazine monthly 0.5 2017-05-03 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493820413145-8EY3LZEEN721MCZXW4Z9/image-asset.png News - Liberation Magazine includes NoShow in piece about propaganda and disinformation https://www.removed.social/news/light-factory-auction-2016 monthly 0.5 2017-05-03 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493823250138-CKCTKW0DDRG4U1KNF7PK/image-asset.jpeg News - Removed Photograph Created at The Light Factory 2016 Annual Auction The Light Factory Removed, 2016 https://www.removed.social/news/booooooom-ericpickersgill-removed-feature monthly 0.5 2017-05-03 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493835456737-02GGHMWGP2A2VJLSKV75/Screen+Shot+2017-05-03+at+2.16.49+PM.png News - Work Featured on BOOOOOOOM.com https://www.removed.social/news/bbc-noshow-click-eric-pickersgill monthly 0.5 2016-11-03 https://www.removed.social/news/2016/11/1/noshow-official-release-of-new-work-by-eric-pickersgill monthly 0.5 2016-11-01 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1478002855927-GOIAN1KW81KEXO7YK657/image-asset.jpeg News - NoShow: Official release of new work by Eric Pickersgill "Back to Back Clouds", Wilmington, NC 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1478002921132-MRUSNXZI3AXVOJC4RPKW/image-asset.jpeg News - NoShow: Official release of new work by Eric Pickersgill "I Love Limp", Morganton, NC 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1478002969386-67CQ2CRU5X9GZHRSLE0A/image-asset.jpeg News - NoShow: Official release of new work by Eric Pickersgill "TacoFest", Nashville, TN 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1478003008342-3T8FKUBT4YX584OJUSJD/image-asset.jpeg News - NoShow: Official release of new work by Eric Pickersgill "MGMT", Morganton, NC 2016 https://www.removed.social/news/kibbitznest-grand-opening monthly 0.5 2017-05-03 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1493822148730-HYVE8F804FZ33SL4VSQY/image-asset.jpeg News - Speaker at Grand Opening for Kibbitznest Books, Brews & Blarney Kibbitznest, 2016 https://www.removed.social/news/market-watch-dr-larry-rosen-wallace-witkowski-eric-pickersgill-removed monthly 0.5 2016-09-17 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1474141647359-E6TY0YY7AEVDDXWCYEGA/image-asset.png News - Removed Mentioned on MarketWatch.com https://www.removed.social/news/2016/9/6/eric-pickersgill-speaking-at-tedxpantheonsorbonne-in-paris-video-online-now monthly 0.5 2025-05-06 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1473178539449-IUXMASL6Y73RCXRODY9C/image-asset.jpeg News - Eric Pickersgill Speaking at TEDxPantheonSorbonne in Paris, Video Online Now! TEDxPantheonSorbonne Removed / Paris, 2016 https://www.removed.social/news/tedxcharlotte-ted-x-charlotte-ticket-sales-eric-pickersgill-speaker-removed-photography-tech-device-use monthly 0.5 2016-09-01 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1472733981644-1I2RGY3T3DBW79SLHWH7/image-asset.jpeg News - **URGENT** Tickets for TEDxCharlotte on sale now! This will sell out! Eric Pickersgill Speaking at TEDxBend, 2016 https://www.removed.social/news/resource-magazine-social-media-summer-issue monthly 0.5 2016-08-23 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1471957420218-P654QAYTMN78PNTRIY7E/eric-pickersgill-resource-magazine-social-meida-issue-2.JPG News - Guest Editor of Resource Magazine Summer 16! - Cover by Natalie Brasington https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1471957495565-M8ZUHOIB2HCTZJIMMJJ1/eric-pickersgill-resource-magazine-social-meida-issue-1.JPG News - Guest Editor of Resource Magazine Summer 16! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1471957481685-C5U3BXZOJBD81DF9NJ0E/eric-pickersgill-resource-magazine-social-meida-issue-6.JPG News - Guest Editor of Resource Magazine Summer 16! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1471957470884-KW3DXHYZOSN58F27R8WJ/eric-pickersgill-resource-magazine-social-meida-issue-7.JPG News - Guest Editor of Resource Magazine Summer 16! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1471957460173-599HFDMZ1OPVATN4LDJI/eric-pickersgill-resource-magazine-social-meida-issue-8.JPG News - Guest Editor of Resource Magazine Summer 16! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1471957446857-A1Z6JFZN15RCXI117XVL/eric-pickersgill-resource-magazine-social-meida-issue-9.JPG News - Guest Editor of Resource Magazine Summer 16! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1471957518249-ISGLBOQBR7OUG2XOHM5K/eric-pickersgill-resource-magazine-social-meida-issue-4.JPG News - Guest Editor of Resource Magazine Summer 16! https://www.removed.social/news/humble-arts-ted-talk-to-watch monthly 0.5 2016-08-23 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470942030256-994C9RTIGVWU4ESF8PM3/image-asset.png News - So excited to be included on this incredible list on HAFNY.org https://www.removed.social/news/aipad-homepage-2016 monthly 0.5 2016-08-07 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470586456804-P8UR3X4N8IYDY20GA1LF/image-asset.png News - Angie and Me on AIPAD homepage! https://www.removed.social/news/2016/7/31/announcing-collaboration-of-silent-pocket-and-removedsocial monthly 0.5 2016-08-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470016096874-QJYU2AHNOG8MQJREJDUS/image-asset.png News - Announcing Collaboration of Silent Pocket and REMOVED.SOCIAL! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470175557332-5OC0DSGEHBYCZ27HQ9A5/removed.social+silent+pocket+collab+eric+pickersgill+faraday+sleeve.png News - Announcing Collaboration of Silent Pocket and REMOVED.SOCIAL! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470016223824-TJ5MUS4RSV9OSE12FYRB/SilentPocket_sps-mbl%2Bv2%2Bmedium%2Bsleeve%2Bblack%2Bleather%2BiPhone%2B6%2Bplus%2Bcoming%2Bout%2Bof%2Bfull%2Bshielding%2Bsleeve%2B1.jpg News - Announcing Collaboration of Silent Pocket and REMOVED.SOCIAL! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470016233691-AX3WF8W7IFAX6TQT9WHQ/removed_sp-03.png News - Announcing Collaboration of Silent Pocket and REMOVED.SOCIAL! https://www.removed.social/news/paris-day-3 monthly 0.5 2016-07-31 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470006525154-ABZVUO7HQ54KD5YV5LCH/image-asset.jpeg News - 3 More Paris Photographs Agathe Gaillard, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470006580021-X7QFJ7XLPRKEAO89D6II/image-asset.jpeg News - 3 More Paris Photographs Green, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470006744650-R6YXXWL8GX1F4KZXGZ63/image-asset.jpeg News - 3 More Paris Photographs Andre' and Helene, 2016 https://www.removed.social/news/paris-day-2 monthly 0.5 2016-07-29 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1469799994136-E5TH7CEA5KPGWRFTWTS3/image-asset.jpeg News - 3 Paris Photographs and 2 More Days Until TEDxPantheonSorbonne Video Texting Scooterist, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1469800044055-51I9ED7HQIKNP6P4JT4B/image-asset.jpeg News - 3 Paris Photographs and 2 More Days Until TEDxPantheonSorbonne Video Swelling Seine Selfie Stick, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1469800075175-LTLPDWVW6XYKKZERLH3F/image-asset.jpeg News - 3 Paris Photographs and 2 More Days Until TEDxPantheonSorbonne Video Selfie with Jim Morrison, 2016 https://www.removed.social/news/paris-day-1 monthly 0.5 2016-07-29 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1469799627943-M4RYPSKY83T3E06VB4ZT/image-asset.jpeg News - Posting 3 Paris Photographs Per Day Until TEDXPantheonSorbonne Video Released! 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Audrey and Nico of L'Oeil de Links, 2016 https://www.removed.social/news/huntertv monthly 0.5 2016-07-08 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1467973631448-JUU9OOBX9D8KFVOLA538/image-asset.png News - Removed Featured on HungerTV in Piece About Isolation https://www.removed.social/news/tedxcharlotteannouncement monthly 0.5 2016-06-23 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1466697568023-A59TM0N9HOV34PEISH0E/image-asset.png News - Selected Speaker for TEDxCharlotte, October 28th, Tickets On Sale Now! https://www.removed.social/news/tedx-innovations-blog monthly 0.5 2016-06-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464898921479-NM88CMSOY3I6Q1OWOGG4/image-asset.png News - TEDxBend talk explained and featured on TEDx Innovations Blog! https://www.removed.social/news/forbes-after-viral-essig monthly 0.5 2016-06-01 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464783787133-547C60GHPJZP1181WRX7/image-asset.png News - Post Viral Summary and Focused Unpacking of Removed by @TeddEssig For @Forbes https://www.removed.social/news/the-photo-tellers monthly 0.5 2016-05-31 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464636914505-Q5G12FC2W76YJIPW4EHQ/image-asset.png News - More podcast fun with @MrBillRamsey from #ThePhotoTellers https://www.removed.social/news/tedxpantheonsorbonne-announcement monthly 0.5 2016-05-30 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464626940726-M0KZQNXU218QP91LBDLD/image-asset.png News - Speaking about Removed in Paris at TEDxPantheon Sorbonne! https://www.removed.social/news/tedxbend-video-online monthly 0.5 2016-05-28 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439421359-5RJ88RI7CUZRH0U6W5PX/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! REMOVED TEDXBEND 2016, SPECIAL EDITION SIGNED PRINT AVAILABLE THROUGH RICK WESTER FINE ART, 24" X 20", PIGMENT PRINT, EDITION OF 20. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439532245-2IXSWPG1DOXE0DLUMO1W/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! Diane, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439570196-PB5Q1ETYKZ1NSVNLNMBW/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! Laurie's Class, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439608034-ULYOK0DB7VHRONB62RUY/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439671733-QC7J9E5A7PK2X8GU5S4L/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439712098-17W5ZCNIWLYPEHVQ5EO2/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! Photo by Kerri Kelly https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439760960-KNTI5KAT967Q2QQ87031/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439799883-5CVZ03QLJHX38I0AQ1O4/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! Photo courtesy of TEDxBend by Timothy Park https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439866119-CVAN7JHIKBQMU9XABFT0/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! Selfie Stick operated by designer Franco Lodato https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464439916248-S48W50KXXXDAYXHM10J9/image-asset.jpeg News - "Do Our Devices Divide Us?" By Eric Pickersgill, TEDxBend Talk Video Online Now! https://www.removed.social/news/tech-insider-video monthly 0.5 2016-05-25 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464188889678-M8A5FKWZY1JELIXELNIX/image-asset.png News - Some back story to Removed and how it has changed my life over the past few months https://www.removed.social/news/2016/5/17/angie-and-me-from-removed-published-in-digitale-depression monthly 0.5 2016-05-17 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1463517865588-Y7FLXXKN0CXZT5DGT4SG/image-asset.jpeg News - "Angie and Me" from Removed Published in "Digitale Depression" From Digitale Depression by Sarah Diefenbach and Daniel Ullrich. 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Quick interview on BBC World Service this evening... https://www.removed.social/news/2015/10/27/removed-featured-on-fisheye-magazine monthly 0.5 2015-10-27 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1445950800719-RBTZBJJ2QQHLVS9UUNIX/image-asset.png News - Removed featured on Fisheye Magazine https://www.removed.social/news/2015/10/21/removed-in-sweden-today monthly 0.5 2015-10-21 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1445422922105-TOGUXABCJFS4QNVM7KUC/image-asset.jpeg News - Removed in Sweden Today https://www.removed.social/news/wired-removed monthly 0.5 2015-10-20 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1445366180702-PPMCZLMBTMU7P08SBARG/image-asset.png News - Removed referenced in essay by Julianne Ross for WIRED https://www.removed.social/news/removed-vice-columbia monthly 0.5 2015-10-20 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https://www.removed.social/news/tag/francois+cheval monthly 0.5 https://www.removed.social/india daily 0.75 2023-01-09 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244794481-35IF4JF0250Q8SIB4TBO/Rishikesh-Horseback-Selfie-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244794481-35IF4JF0250Q8SIB4TBO/Rishikesh-Horseback-Selfie-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1515970005191-DFW6KUXC45UUAA74VYH1/Rishikesh-Horseback-Selfie-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244713383-33Y2NRWHGA56ZK22ADPZ/Delhi-Aritra-Close-Rooftop-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1515811089974-TTH6EVRJ0LJOP20A5Z0V/Private-not-final-tlkn-India-Eric-Pickersgill-Removed-Mumbai-Barber-Selfportrait.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244817423-6O6QWKGGRCUFSQISPRPB/Shillong-man-on-van-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244797661-R14T6VFPEE8WGYB50YY3/Rishikesh-Hotel-Front-Desk-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244713330-3CUPKKYLJ5WMYJK79B6Y/Delhi-Boy-Rooftop-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244731920-KFRD56UAS9XXOB25F6OY/Kolkata-chemist-far-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244716821-5J1RPS0P7H8D2BNH20PL/Delhi-Gujral-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244756593-35Y8OQI0JEQF9WYA9GA4/Mumbai-Business-Casual-Beach-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244774963-EG4EFCO4TZGBLXPUAZRA/Mumbai-Supaarwoman-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244738639-SIWYPI7PS6H3G6P7WTSY/Kolkata-neon-shirt-bridge-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244738579-Z86AEQ9Q4MX53GLJS6Q0/Kolkata-man-flag-pepsi-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244718875-97E3D4CELPTMWO3CGLMD/Delhi-Hand-Lecture-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244720040-665ZH7241NHIVOOG6CCV/Delhi-man-first-floor-window-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244744939-RVWH4CC4TIZJXCJSUSO3/Kolkata-Sari-Shop-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244721182-XW36AY4E4XBG9EFYI3QZ/Delhi-Masijd-Gate-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244723557-TLGIB20MJDLUFGNU6TJH/Delhi-Mother-Son-Rooftop-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244741939-BACP7EZS3VUO3HKBPXM8/Kolkata-Police-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244724428-Y638I14YWVU6CX3Z85OV/Delhi-Office-Manager-Quint-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244727022-71CIRC7NLQMZH4S904MM/Kolkata-Beatle-driver-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244741681-4DDB3DLKW39ADRB9EAV3/Kolkata-Nishan-and-mom-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244726498-HAVQJKPX0ZQJXWZ6FJ2S/Delhi-Quint-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244729118-K7AR0MTC49LNP19FTDIX/Kolkata-boys-make-star-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244823710-EBN79UOUP1FMH3IFC5VP/Shillong-sikh-golfcourse-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244729516-06BSPHJK6HA0OSBKF9S2/Kolkata-Broadway-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244731152-WZ8GHPS51XLVQKEWH34N/Kolkata-chemist-close-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244760152-JLKS57RXLO98JKS88Y4L/Mumbai-Dancer-Rukshana-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244733887-PK32NZBQRGPFNQXN05E5/Kolkata-hostel-girls-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244735352-P6JN39BUQJUVHQOL4WPX/Kolkata-leaning-on-bridge-rail-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244744716-BSWP2LVD1RUFGCHTCWD5/Kolkata-Sari-Shop-Security-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244716958-FAXB3CNK9BBSOQATS0FB/Delhi-Gujral-lecture-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244747325-0BOWCNN4DJDA80PH8M41/Kolkata-sunset-couple-photo-of-boats-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244736372-HXRWB9AAWPQVQ7STID7S/Kolkata-man-behind-gate-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244747415-H2QJPWSD7FTOZDCU58ML/Kolkata-sunset-group-selfie-on-river-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244750584-FL2AHKTF9AUGOFS52T8I/Kolkata-WhatsApp-girls-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244762520-LHA60WSTOV8ZHQ6SKU43/Mumbai-Fighter-Profile-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244754105-JBUF8DJAFEIXAR11AN65/Mumbai-Behind-Fish-Market-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244755666-93SH4O28XBGWAUACR9X4/Mumbai-Boys-girls-Beach-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244764698-YIMC95WSVFJ2253BZETD/Mumbai-Filmmaker-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244758675-J5UYQ715WPAMQCMGMJCD/Mumbai-Channel-Crossing-Line-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244761165-9W6BR9CQ3QM7XCQWVQVB/Mumbai-Editor-and-Brother-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244767787-5KCESEV4RM4Y4AY2D5L3/Mumbai-Inside-Beach-Tent-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244763922-25KSMWYPSIU05XZ8LVML/Mumbai-Fighters-Practice-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244767745-KCPO8RONI91HH3H5E2AA/Mumbai-fisherman-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244821006-US3OIB7TVS6I46KUYE78/Shillong-selfie-stick-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244771749-RDT28A8NOB6C6CXXM0ND/Mumbai-Mudra-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244772224-SRKGOU2CUTGH5I94P2TY/Mumbai-Parents-Evening-Routine-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244775337-112TKHS9NBRS7HFM6KDH/Mumbai-Uncle-Elevator-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244777747-MQJU9TVYX9V05ZESTYLR/Rishikesh-Ashram_Grinder-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244777802-A4EUO66J3QJBLWIPAW4T/Rishikesh-Ashram-Roof-Vishvketu-Nephew-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244781024-FRYOPX1TZOTFX6M6K9AJ/Rishikesh-Beetles-Ashram-in-Ganges-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244769854-XEIWUJZCCUIHOLBXJKKQ/Mumbai-MMA-Trainer-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244780923-S2BD9Q5GM7AQDK7OXET3/Rishikesh-Boy-Horse-Off-Bridge-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244750200-AYFBAB1TMVKRA3QAEVAK/Mumbai-Barber-Selfportrait-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244784997-WRGJOJ3GLRUHBZDK07JH/Rishikesh-Bridge-Photographers-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244788758-PMCUG6XM9167VFAI7WDI/Rishikesh-Fire-Puja-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244790101-B8C5OF89HGU78EC52RJX/Rishikesh-group-selfie-beetles-ashram-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244791158-SNAE6IOFUE3YB3W8XV45/Rishikesh-Guru-Student-Riverside-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244794185-X3S3WF9Z7VVUU25UDOZ2/Rishikesh-Hillside-Trio-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244797754-T3UKH2W4RKN6ONPY8NPT/Rishikesh-Vishvketu-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244802165-IIQ5LX6GQBSVMBD2VRXQ/Shillong_morning_field-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244801465-6TYR614UVUYZOLDYK18L/Shillong-Art-Teachers-Family-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244804735-FN243HRIDLVF9U3LE1CD/Shillong-cell-and-shoe-shop-boy-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244806821-CY8PVWI39C44AIRD7G27/Shillong-cherry-festival-hillside-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244827186-Q7XQWIOVZUO4P2OWN19Z/Shillong-Sushma-Husband-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244806569-462F62ST2O6QRO0JRZOS/Shillong-cherry-festival-nighty-blurry-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244810074-CEO2UKQ4D1Y1PB3Q0ZT4/Shillong-Family-Tea-in-Kitchen-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244810403-VNXBR0BL75PZNQ9V0YHT/Shillong-Family-Tour-Bus-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244823296-WCZOD1M7LDRJAMBMOYR2/Shillong-Shoe-Shop-Dad-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244814876-C3D2O7LECDSG0KBJCY49/Shillong-golf-tournament-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244820365-ZH0S01GMZNXKMX1JRQPF/Shillong-Market-Couple-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244818543-SULM0X4ES9V7CB1KOLJ1/Shillong-Hillside-Smokers-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244813055-UIC8TIYPZ2WIGPDUINS5/Shillong-girl-on-step-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244827799-GW0TG20VPWFKJGLW88CX/Shillong-Two-girls-cherry-blossom-fest-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244753014-9WYME4ITN5MAOG36XV16/Mumbai-Barber-Uncle-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244786840-14NPG7M8J9OI8OUULNRD/Rishikesh-Fashion-Shoot-Ganges-Sunrise-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244830004-RKPDCS05IAQHUEQKDMUR/Shillong-Waterfall-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1557244783910-8LZKWUT69TB2U2OFM8O2/Rishikesh-Chai-tea-party-with-Bryce-Eric-Pickersgill-Removed-tlkn-India.jpg India Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although the devices have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to re-enact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. This new set is an extention of the Removed series brought to India in collaboration with tlkn®. We travelled to Kolkata, Shillong, Delhi, Rishikesh, and Mumbai in November of 2017. https://www.removed.social/asean daily 0.75 2019-02-27 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281268368-C9E18RHO4TTKI7584ZJ6/Jakarta-ex-couple.jpg ASEAN - Ex-Couple, 2018 Jakarta, Indonesia https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281268368-C9E18RHO4TTKI7584ZJ6/Jakarta-ex-couple.jpg ASEAN - Ex-Couple, 2018 Jakarta, Indonesia https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281297409-R6782ZSKBQ0JF172DJ51/Coffee-With-Nadya-Jakarta.jpg ASEAN - Coffee with Nadya, 2018 Jakarta, Indonesia https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281441884-82CHPZ01OM3I6GK4U94B/Grandson-and-grandfather-on-couch-011.jpg ASEAN - Grandson and Grandfather, 2018 Hanoi, Veitnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281923820-URICVHDZ4CBQ7JFPC81X/Hanoi-Lotus-In-A-Flower-Shop.jpg ASEAN - Lotus in a flower shop, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551286919606-1H9ZIYBFDEHPAH68IL6D/Hanoi-Grab-Bike-Driver.jpg ASEAN - Grab Driver, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551286944423-3IBNKKO9LBFG45NUN9AX/Dala-Calling-from-window.jpg ASEAN - Window Calling, 2018 Dala, Myanmar https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551286970330-1MFW43U3G8IIHIUIERGM/Break-in-Atrium.jpg ASEAN - Break In Atrium, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551286990508-I46SHYBJWCG80QM3J6Y4/Hanoi-Tea_and-Cookies-with-Grandmother.jpg ASEAN - Tea with Grandma, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287016134-HW2ELX7W1BF788V01H88/Hanoi-Rooftop-Swimmer.jpg ASEAN - Rooftop Swimmer, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287038794-4M3DWOHRUCNJN95ES6YZ/Hanoi-Couple-Lake-Mccain.jpg ASEAN - Lakeside Couple Selfie, 2018 Hanoi, Vietnam, lake mccain https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287074871-XWHEWHITIJFBSM9OJJB0/Hanoi-Flower-Followers.jpg ASEAN - Flower Shop Owner, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287125448-NCVLRLDW26PG2Z2X4UUA/Hanoi-giao-vien-the-teacher.jpg ASEAN - Teacher, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287152149-18EJKDN1DW3FRRSV51AX/Hanoi-Hammock-Boys.jpg ASEAN - Kid Hammock, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287171258-TU3EU9OIV2TH3RGC3JS6/Hanoi-Waiting-for-Pickup.jpg ASEAN - Waiting for Pickup, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287187825-9K3TZ5X0YP8AMAVMY3Z6/Hanoi-Opera-House.jpg ASEAN - Hanoi Opera House, 2018 Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287243086-6HTW9GJMBVZMVXN2BF9L/Hanoi-Prince-of-Vietnam.jpg ASEAN - Crosswalk, 2018 Waiting at crosswalk. Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287313452-646N366XC6U204OFAFEK/Hanoi-store-front-tea-time.jpg ASEAN - Tea Break, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287342339-E3VTIN9107C2PJB0KN23/Hanoi-Temple-of-Literature.jpg ASEAN - Temple of Literature, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287373271-5K1RUYKYI003VUS6H8A0/Hanoi-Girl-In-Shadows.jpg ASEAN - Daycare, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287389347-VCQGZ6THJIPPK9JDQGQX/Dala-Elders.jpg ASEAN - Village Elder, 2018 Dala, Myanmar https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287406682-WI488Z7T7I1LQ07VSRIY/Hanoi-Watching-Daddy.jpg ASEAN - Watching Daddy, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287435936-IKD4VHM3KBS7PQTBUMOF/Hanoi-The-Director.jpg ASEAN - Director, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287492124-BVDDOPOKQBK4R4WRUX5H/Hanoi-Theater-Parking-Texting.jpg ASEAN - Scooter Texting, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287512700-409ZUCDIDLVQCX8N44D8/Hanoi-took-took-driver.jpg ASEAN - Bicycle Taxi, 2018 Hanoi, Vietnam https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287533485-UG4L2R0XCR66D99VXLCV/Hanoi-topview-Bar.jpg ASEAN - Tea Bar, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287550198-W8L7BB74FGACXPOG13DO/Hanoi-Flower-Shop-Owner.jpg ASEAN - Owner of flower shop, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287576086-9FKQGGDJGTXNQ83OI1CL/Hanoi-Woman-waiting-at-Market.jpg ASEAN - Afternoon Together, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287609143-QYO6OOMGFRO3IUKT0KXI/Jakarta-Bajaj-Ride.jpg ASEAN - Bajaj Driver, 2018 Jakarta, Indonesia https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287626429-F7XQ7A5E936BAK0H83KO/Jakarta-First-Person.jpg ASEAN - Hotel Self Portrait Jakarta, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287644800-JAHE9J0F0I3JJG5F8XG4/Jakarta-First-Responders.jpg ASEAN - First Responders, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287664654-L3BJGVP4M0CPPA7JCY26/Jakarta-Man-In-The-Sky.jpg ASEAN - Man in the sky, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287681731-I2SZJ4LDNW6MNRA4XWV7/Jakarta-Mom-and-Dad-Everynight.jpg ASEAN - Mom and Dad everynight, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287707488-97UZ21F4WGOCAISKQU0N/Jakarta-Poolside-Bartender.jpg ASEAN - Poolside-Bartender-jakarta-indonesia-hanoi-vietnam-singapore-yangon-myanmar-asean-eric-pickersgill-removed-smart-phone-tablet-addiction-distraction https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287726829-PQOGEY9U1GBLXMIM3911/Jakarta-Scooter-Double-Up.jpg ASEAN - Scooter Double up, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287741819-6S46TS2YWRUZ63H3X0IH/Jakarta-Snacks-With-Family.jpg ASEAN - Snacks with family, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287757129-JBXXZ181LAVXI7UJLNHK/Jakarta-Two-Boys-Rooftop.jpg ASEAN - Rooftop Boys, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287774382-RKO16SP002O47CPMTP1I/Jakarta-Coffee-Shop-Owner.jpg ASEAN - Coffee Shop Owner, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287789308-W3RMWJ2A253190CLG6OT/Singapore-Friends-Dinner.jpg ASEAN - Friends Dinner, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287806186-F0CZCP3HFTZDTLYT8UF1/Singapore-Pokemon-Catcher.jpg ASEAN - Pokemon Catcher, 2018 Singapore https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287824603-XF18AJ43BJNMT6ATR54B/Yangon-Circle-Train-Passenger.jpg ASEAN - Yangon Circle Train Passenger, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287841944-CC1VLS79E7O3X1I75HVK/Singapore-Amanda-Photographs.jpg ASEAN - Amanda Photographing, 2018 Botanic Gardens, Singapore https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287858464-BCZMWQFNXI0H4N4O4Q6V/Singapore-friends-look-out-marina-bay-sands-roof.jpg ASEAN - Friends Lookout Marina Bay Sands, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287884579-WQ8SLB5R0UR4B6AI9AKN/Singapore-Amanda-Rene-Far.jpg ASEAN - Amanda and Rene, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287908179-LMTDCJ48WE35OBVNCZQ4/Singapore-Beach-Boys.jpg ASEAN - Beach Boys, 2018 Singapore https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287933083-D7IXDGZMFQKIOT6XCRD8/Singapore-Camera-Museum.jpg ASEAN - Camera Museum, 2018 Singapore https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287951540-PVZ0QW305C9QOTZ64GZB/Singapore-Birthday-Picnic.jpg ASEAN - Birthday Picnic, 2018 singapore https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287972570-LQ7DRP871XIJM0PWV0MB/Jakarta-Rooftop-Family.jpg ASEAN - Rooftop Family, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551287989294-IVK4O5M4RABU3Y63BP4W/Singapore-Family-Breakfast.jpg ASEAN - Family Breakfast, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288008701-X082JF457S20FFLTYR01/Singapore-Lawyer.jpg ASEAN - Lawyer, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288031171-WEFWEXNPDSDK2BJ4VZ52/Singapore-picnic.jpg ASEAN - Picnic, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288050127-LTKD9HSHWJNZO4ZT1JXA/Singapore-Tourist-Group.jpg ASEAN - Tourist Group, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288072486-44J0II089W1NCB3A58TV/Singapore-walking-path.jpg ASEAN - Amanda, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288107492-UE2ALR39986VEJE5AYJ3/The-Group-Photographer-Singapore.jpg ASEAN - Tourist, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288130344-RRH06TFKLFJT60RE4OJQ/Yangon-Boat-Taxi.jpg ASEAN - Boat Taxi, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288155887-NLAZE10RR7RCTCCFAM7A/Yangon-Dala-Village-Mother.jpg ASEAN - Mother, 2018 Dala, Myanmar https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288233181-XHPGVOID2YD97SGLGH40/Yangon-Bell-Hop.jpg ASEAN - Bell Hop, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288248080-RCZTT875CFZG1SAFS231/Yangon-Simona.jpg ASEAN - Simona, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288266385-PUSKZ5D0KSBZFTSF3NQ7/Singapore-Reserved.jpg ASEAN - Reserved, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288289267-RQCVJEYF5US7XLNIEQBU/Yangon-Taxi-Driver.jpg ASEAN - Yangon Taxi Driver, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551288305625-3F3KZ57E741WXNZ6XLYJ/Yangon-Tea-Break.jpg ASEAN - Yangon Tea Break, 2018 https://www.removed.social/us-original daily 0.75 2025-07-31 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277551940-3SBD9R18M5E2JW6W7YDZ/Eric-Pickersgill-Removed-Angie_and_Me-Low-Resolution.jpg US - Angie and Me, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277551940-3SBD9R18M5E2JW6W7YDZ/Eric-Pickersgill-Removed-Angie_and_Me-Low-Resolution.jpg US - Angie and Me, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1542641538814-OSSJP3SYVJYKM8GLX94B/Eric-Pickersgill-Removed-Angie_and_Me-Low-Resolution.jpg US https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1542642136783-3PQW8S4ZODO7AJ5W1UFK/Eric-Pickersgill-Removed-Angie_and_Me-Low-Resolution.jpg US https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277595286-2PVTWA7M8SQRGQUMFYJS/Eric-Pickersgill-Removed-Melissa-Low-Resolution.jpg US - Melissa, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277616056-2MCHPOCRAWQRIDC1F35Y/Eric-Pickersgill-Removed-Angie-snappin-pics-re-edit-Low-Resolution.jpg US - Angie Snappin' Pics https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277635684-VTZS3Y39JHOV1ABQPYOP/Eric-Pickersgill-Removed-Cody_and_Erica-Low-Resolution.jpg US - Cody and Erica, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277682203-AEYRV2UI7B4JVJD001Q0/Eric-Pickersgill-Removed-Ashley%27s_Neighbors-Low-Resolution.jpg US - Ashley's Neighbors, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277710340-K9OEI381ROG70IGEW5CW/Eric-Pickersgill-Removed-Snoopys-Low-Resolution.jpg US - Snoopys, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277731787-59XNTIISTCJBNN0AJCBJ/Eric-Pickersgill-Removed-Kelly-Low-Resolution.jpg US - Kelly, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277749939-M7JIATXMNOAF4O5CQMLG/Eric-Pickersgill-Removed-Court_and_Sarah-Low-Resolution.jpg US - Courtlyn and Sarah, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277769278-YZE3GFN51ZSPQSEO3HIC/Eric-Pickersgill-Removed-Debbie_and_Kevin-Low-Resolution.jpg US - Debbie and Kevin, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277785318-KKWBJBAUXL3TV15V99K2/Eric-Pickersgill-Removed-Cameron-Low-Resolution.jpg US - Cameron, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280554345-JAM4BZ6NRH7L5WDZUWE6/Eric-Pickersgill-Removed-Head-on-Low-Resolution.jpg US - Head On, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280590104-ZYHPQK8C9R3P08E4JF1X/Eric-Pickersgill-Removed-Cara_After_Thanksgiving-Low-Resolution.jpg US - Thanksgiving, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280616693-WEF183ONMM7Y1T3GSP4F/Eric-Pickersgill-Removed-Aaron_and_Scott-Low-Resolution.jpg US - Aaron and Scott, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1542641538771-4HY46MCDU5ZONBGSGOXB/Eric-Pickersgill-Removed-Aaron_and_Scott-Low-Resolution.jpg US https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280634343-MYX80D1NP01H1WNGGUNO/Eric-Pickersgill-Removed-Chris%27_Grass_Bussiness-Low-Resolution.jpg US - Chris' Grass Business, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280654917-3GMUO7J508MHUW5IFH18/Eric-Pickersgill-Removed-Angie_Tree_Shopping-Low-Resolution.jpg US - Tree Shopping Close, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280694496-H9WB1V1VLIVWQPWVCDE7/Eric-Pickersgill-Removed-Michelle_and_Jimmy-Low-Resolution.jpg US - Jimmy and Michelle, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280716359-U1E96B34N45C2TN8MH1G/Eric-Pickersgill-Removed-TEDxBend-Low-Resolution.jpg US - TEDxBend Removed, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280740484-NVWEXTPRTWYHVQAKMI18/Eric-Pickersgill-Removed-Grant_Park_Three-Low-Resolution.jpg US - Grant Park, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280760556-2WSER4T4ZKVAKZTRC2UL/Eric-Pickersgill-Removed-Grant-Low-Resolution.jpg US - Grant, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280806177-S4DFSXJG761N17EF5QJR/Eric-Pickersgill-Removed-Jamie_Jodi_and_Aiden-Low-Resolution.jpg US - Jamie, Jody, Aiden, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280826880-94FLO4LKPT31PQS0A5S4/Eric-Pickersgill-Removed-Jeff_and_Ty-Low-Resolution.jpg US - Jeff and Ty, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280846021-AABYMGL7KYE061YPE2CI/Eric-Pickersgill-Removed-Kibbitznest_Chicago-Low-Resolution.jpg US - Kibbitznest, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280865983-GVNDL93S3LA1XXJ49RHC/Eric-Pickersgill-Removed-Lindsay_and_Louis-Low-Resolution.jpg US - Lindsay and Louis, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280881608-COS5KXK5RVDS11HD2Q1Y/Eric-Pickersgill-Removed-Micheal_and_the_man_who_minds-Low-Resolution.jpg US - Michael and the man who minds, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280898054-ZF94I5YALK0DY1EXDP16/Eric-Pickersgill-Removed-Mike_Laurna-Low-Resolution.jpg US - Mike and Laurna, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280915033-4L7ESAP88IHIX6S7TWGR/Eric-Pickersgill-Removed-Connor_1-Low-Resolution.jpg US - Conor, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280934612-NPB94MQFWTSPROLDULDV/Eric-Pickersgill-Removed-Mom_and_Dad-Low-Resolution.jpg US - Mom and dad, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280953013-P511JW7QARV5GQ3EPO1X/Eric-Pickersgill-Removed-Nemal-Low-Resolution.jpg US - Nemal, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280969200-I173TE7UD6OEHO6I4I8P/Eric-Pickersgill-Removed-Phyllis_Photographing-Low-Resolution.jpg US - Phyllis Photographing, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280984827-CQFPPCDZVKLJXULHFX8G/Eric-Pickersgill-Removed-Sunrise_Sleeper-Low-Resolution.jpg US - Sunrise Sleeper, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281000988-FNQP4W7CXH0IRQEKHCVX/Eric-Pickersgill-Removed-Smith_Rock-Low-Resolution.jpg US - Smithrock, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281015632-SQT5NFR1VWE1JXH4UU9Z/Eric-Pickersgill-Removed-David_and_Rebecca-Low-Resolution.jpg US - David and Rebecca, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281030427-NS4OT85QZ3BMTRDVHJC3/Eric-Pickersgill-Removed-Tanya_and_Addi-Low-Resolution.jpg US - Tanya and Addison, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281047719-ZTEO9PPPPHP2VMPNCMJQ/Eric-Pickersgill-Removed-Tate-Low-Resolution.jpg US - Tate, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281067526-AJSY4FZPKX9HXC8GT325/Eric-Pickersgill-Removed-TEDxPantheon_Sorbonne-Low-Resolution.jpg US - Pantheon Sorbonne, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281088399-9CWNVPGWXF1HTIAGAQBA/Eric-Pickersgill-Removed-Phyllis-Low-Resolution.jpg US - Phyllis, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281106750-FBCGQSGPK2F2EV56IE3X/Eric-Pickersgill-Removed-Tree_Shopping-Low-Resolution.jpg US - Tree Shopping, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281122497-AWR1BBTJ5KNA54ZX6T67/Eric-Pickersgill-Removed-Vicki-Low-Resolution.jpg US - Vicky's Ice Cream, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281138788-JWQ50KX2LVN7743X234O/Eric-Pickersgill-Removed-Wendy_Brian_Hunter_and_Harper-Low-Resolution.jpg US - Wendy, Brian, Hunter, Harper, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281166371-E460IJUQF2HYQFIQRFXX/Eric-Pickersgill-Removed-William_Christina-Low-Resolution.jpg US - William and Christina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281185320-HV77RY2WBZGJ5S6FGIJV/Eric-Pickersgill-Removed-The_Light_Factory_Auction-Low-Resolution.jpg US - Light Factory Auction, 2016 https://www.removed.social/home daily 1.0 2025-11-04 https://www.removed.social/contact daily 0.75 2025-10-02 https://www.removed.social/about daily 0.75 2025-10-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/cbbee6fd-71aa-4a25-8d24-845cd289646b/IMG_5536.jpg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452788571-0YOLU7KN5ZXR9MU2GNLS/ERICPICKERSGILL1.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452791820-ZGJT2ORGK3W3GNQA0DHA/ERICPICKERSGILL5.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452794280-MD2DP9QNEP64HGXTQ19P/ERICPICKERSGILL7.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452797041-7OGRBVB5UTF97RMEENJS/rwfa_install.jpg About - Print Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452794517-205UWUT6I29M526W9U77/ERICPICKERSGILL8.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484451318514-O6ZGOPTZBKRXJW1FJ45U/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-4.jpg About Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484451311693-RTUF8SP82S5AL3CHBL13/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-3+%281%29.jpg About Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484451310976-3XO2YGQZVB0HAX34AIDN/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-2.jpg About - Lianzhou Foto Festival, 2016 Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484451318798-IVMUBQLZFWZLX5O1XIDK/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-5.jpg About Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484451324130-YKE3FYRO34T6GYA4YQWR/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-6.jpg About Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484451326013-4Z24XVT7ORENJ3RMCQGC/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-7.jpg About Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484451331909-R670R8CSS1D1APJSMA3I/Eric-Pickersgill-Removed-Installation-Lianzhou-Photography-Festival-16-China-9.jpg About Installation photographs of Removed series by Eric Pickersgill at Lianzhou Foto Festival in Lianzhou, China 2016. Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been removed from thier hands moments prior to the exposure. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452972985-IAWV3B1K0UCQQJVDMP1A/Eric_Pickersgill_Removed_UNC_Chapel_Hill_Art_Department.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452969968-0IWCAY1ZOVRE3WB3D2XH/Eric_Pickersgill_Removed_UNC_Chapel_Hill_Art_Department+%282%29.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452969920-8MUWAPEDBG5IKH4J3YXE/Eric_Pickersgill_Removed_UNC_Chapel_Hill_Art_Department+%281%29.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452971700-270U1W8B34XHHTSZ632C/Eric_Pickersgill_Removed_UNC_Chapel_Hill_Art_Department+%283%29.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484452972338-2DD908SJAA7FANF4ZZEM/Eric_Pickersgill_Removed_UNC_Chapel_Hill_Art_Department+%284%29.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484453037146-J7E95ZHDUA0QMX8QWDXV/Eric_Pickersgill_Removed_Carrack_Durham_Art.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484453018393-A18A1KII1CUOWA4TA5VR/Eric_Pickersgill_Removed_Carrack_Durham_Art+%282%29.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484453019758-108PR3XOV4V5UGKL7JC8/Eric_Pickersgill_Removed_Carrack_Durham_Art+%281%29.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484453030344-82RQHZUXAXR46HXW2O0E/Eric_Pickersgill_Removed_Carrack_Durham_Art+%283%29.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484453026046-AV87AMMUQ13QRENNEN48/Eric_Pickersgill_Removed_Carrack_Durham_Art+%284%29.jpg About Removed is a series of large format black and white photographs that are of individuals performing as if they are using thier devices although thier phones and tablets have been physcially removed from thier hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484453127712-J2DWDTSNMB64NEYFDQ3T/7_Eric+Pickersgill_All.jpg About Reset_Installation_2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1445694761625-H0UJAYM9G78D3VEPZ1PP/cnn-logo.png About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464187712389-SQQTB7F8C6H9PHBECB3I/techinsidervideo.png About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1445694716350-OSFNYICGYRVLAR9LZK0H/kron4.jpg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1446122373674-1ZP45P8FQO506XRJJ6CM/BBC-Logo.jpg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1462799210770-AB4R8ZHAZ6WV1VB9IQ92/wunc.jpeg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1447681456123-W923EW0HDPNYPMUTTV7I/logo_globohome.png About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1448591247820-CGUMPV648QB88RE9GM9G/street_focus.jpeg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1484450900660-YBCWHES6VE6VK9G7070Y/CGTN.jpg About Most of us can’t imagine a day, much less a moment, when we’re without our smartphone. So, just what kind of impact are these devices making in our everyday lives? How are they shifting social behaviors? Are they creating or limiting our human interactions? Photographer Eric Pickersgill wanted to examine the psychological and social effects behind smarthphones and the role they play in our society. “We’re in this moment right now where we’re all shifting our posture and our body language and our use of this technology to just be so focused down on our hands, and we haven’t yet seen the full consequences of that,” explained Pickersgill. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1462799091623-G8NJWLEYW7ZCB9WXWPJ9/wfae.jpeg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464627450906-ZCHNOIPFEH8U3PPEK9OR/phototellers.jpeg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1464627570029-S8H4HWH7NHOO3SGOSW6C/Tedx-Bend-Logo.jpg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1477584578754-NV49BFWNJYWR33M1L123/charlotte_observer_335.jpg About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1473350274739-09LATZ5L5OM9AE09I97I/TEDx_Pantheon.png About https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1486572903948-YMT9640CU2L1ACV655QL/generacio-digital.jpg About https://www.removed.social/series daily 0.75 2025-11-04 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759329941715-1Q3NSRG1JS24YYNWMV31/Angie+and+Me%2C+Chapel+Hill%2C+North+Carolina%2C+2014.jpg Works - UNION https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759285304596-MZPYLUA0S73AAAVHL1AI/Angie+Snappin%27+Pics%2C+Blue+Ridge+Parkway%2C+North+Carolina%2C+2014.jpg Works - SOLITUDE https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759321934896-4LAUK3AB7PER951VUEPA/Aaron+and+Scott%2C+Davidson%2C+North+Carolina%2C+2014.jpg Works - TRIBE https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324608492-1NJ6F9HVFPMCCHYW2EAW/Tanya+and+Addison%2C+Denver%2C+North+Carolina%2C+2014.jpg Works - KIN https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331093330-DLD4JZAXS55R6RCTXDGY/TEDxBend%2C+Bend%2C+Oregon%2C+2016.jpg Works - MULTITUDE https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324113902-IFPC65Q1X9YVW916NI06/Cindy+and+Sam%2C+Lake+Auman%2C+North+Carolina%2C+2025.jpg Works - ABOUT https://www.removed.social/collect daily 0.75 2025-10-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1565970489275-SIJQW94H1VKES2H61C6O/ERICPICKERSGILL7.jpg Collect https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1565969964465-K55W0FIFT5Q8X5NYALO4/ERICPICKERSGILL7+%281%29.jpg Collect https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1565969964641-IIT58MOCBKEH7UEH9XI3/ERICPICKERSGILL1_1.jpg Collect https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1565969965349-RW6J1L6906XNCBBMVDBJ/ERICPICKERSGILL8_1.jpg Collect https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1565969983400-JBVXNIWWFJ0WL8NFDRKR/ERICPICKERSGILL5.jpg Collect https://www.removed.social/united-states daily 0.75 2019-11-26 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1565968473003-B5GC5ELO3SIOUSQQSB7X/Angie_and_Me_Eric_Pickersgill_Removed.jpg United States Removed is a series of large format black and white photographs that are of individuals performing as if they are using their devices although their phones and tablets have been physically removed from their hands moments prior to the exposure. Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body. The photographed scenes are derived from observations in my daily life. I ask the sitters to reenact my original observations and seconds before the exposure is made, I remove the device from the their hand. The sitter is asked to remain frozen as if they were still engaged with their device. The project is a form of intervention, calling attention to the use of devices by family members and those around me that I do not know. The making of the photograph operates as a way of disrupting the isolation I feel from strangers who barricade themselves behind their technology. This exchange creates new relationships while also asking the viewer to question their own device habits. I am excited by the way the viewer fills in the device at first look. It is as if the device has become one with the body and can be seen when not present. After the project went viral with international demand overnight in late 2015, I have made it a goal to exhibit the work within as many communities as possible. The work is striking when seen online however it becomes transformational when experienced in person as exhibition prints. The photographs operate as mirrors that help viewers question their own use of technology. The smart phone and the Internet will be known as the industrial revolution of our time and these photographs represent the worldwide digital transition. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277551940-3SBD9R18M5E2JW6W7YDZ/Eric-Pickersgill-Removed-Angie_and_Me-Low-Resolution.jpg United States - Angie and Me, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277595286-2PVTWA7M8SQRGQUMFYJS/Eric-Pickersgill-Removed-Melissa-Low-Resolution.jpg United States - Melissa, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277616056-2MCHPOCRAWQRIDC1F35Y/Eric-Pickersgill-Removed-Angie-snappin-pics-re-edit-Low-Resolution.jpg United States - Angie Snappin' Pics https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277635684-VTZS3Y39JHOV1ABQPYOP/Eric-Pickersgill-Removed-Cody_and_Erica-Low-Resolution.jpg United States - Cody and Erica, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277682203-AEYRV2UI7B4JVJD001Q0/Eric-Pickersgill-Removed-Ashley%27s_Neighbors-Low-Resolution.jpg United States - Ashley's Neighbors, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277710340-K9OEI381ROG70IGEW5CW/Eric-Pickersgill-Removed-Snoopys-Low-Resolution.jpg United States - Snoopys, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277731787-59XNTIISTCJBNN0AJCBJ/Eric-Pickersgill-Removed-Kelly-Low-Resolution.jpg United States - Kelly, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277749939-M7JIATXMNOAF4O5CQMLG/Eric-Pickersgill-Removed-Court_and_Sarah-Low-Resolution.jpg United States - Courtlyn and Sarah, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277769278-YZE3GFN51ZSPQSEO3HIC/Eric-Pickersgill-Removed-Debbie_and_Kevin-Low-Resolution.jpg United States - Debbie and Kevin, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551277785318-KKWBJBAUXL3TV15V99K2/Eric-Pickersgill-Removed-Cameron-Low-Resolution.jpg United States - Cameron, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280554345-JAM4BZ6NRH7L5WDZUWE6/Eric-Pickersgill-Removed-Head-on-Low-Resolution.jpg United States - Head On, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280590104-ZYHPQK8C9R3P08E4JF1X/Eric-Pickersgill-Removed-Cara_After_Thanksgiving-Low-Resolution.jpg United States - Thanksgiving, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280616693-WEF183ONMM7Y1T3GSP4F/Eric-Pickersgill-Removed-Aaron_and_Scott-Low-Resolution.jpg United States - Aaron and Scott, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280634343-MYX80D1NP01H1WNGGUNO/Eric-Pickersgill-Removed-Chris%27_Grass_Bussiness-Low-Resolution.jpg United States - Chris' Grass Business, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280654917-3GMUO7J508MHUW5IFH18/Eric-Pickersgill-Removed-Angie_Tree_Shopping-Low-Resolution.jpg United States - Tree Shopping Close, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280694496-H9WB1V1VLIVWQPWVCDE7/Eric-Pickersgill-Removed-Michelle_and_Jimmy-Low-Resolution.jpg United States - Jimmy and Michelle, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280716359-U1E96B34N45C2TN8MH1G/Eric-Pickersgill-Removed-TEDxBend-Low-Resolution.jpg United States - TEDxBend Removed, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280740484-NVWEXTPRTWYHVQAKMI18/Eric-Pickersgill-Removed-Grant_Park_Three-Low-Resolution.jpg United States - Grant Park, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280760556-2WSER4T4ZKVAKZTRC2UL/Eric-Pickersgill-Removed-Grant-Low-Resolution.jpg United States - Grant, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280806177-S4DFSXJG761N17EF5QJR/Eric-Pickersgill-Removed-Jamie_Jodi_and_Aiden-Low-Resolution.jpg United States - Jamie, Jody, Aiden, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280826880-94FLO4LKPT31PQS0A5S4/Eric-Pickersgill-Removed-Jeff_and_Ty-Low-Resolution.jpg United States - Jeff and Ty, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280846021-AABYMGL7KYE061YPE2CI/Eric-Pickersgill-Removed-Kibbitznest_Chicago-Low-Resolution.jpg United States - Kibbitznest, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280865983-GVNDL93S3LA1XXJ49RHC/Eric-Pickersgill-Removed-Lindsay_and_Louis-Low-Resolution.jpg United States - Lindsay and Louis, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280881608-COS5KXK5RVDS11HD2Q1Y/Eric-Pickersgill-Removed-Micheal_and_the_man_who_minds-Low-Resolution.jpg United States - Michael and the man who minds, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280898054-ZF94I5YALK0DY1EXDP16/Eric-Pickersgill-Removed-Mike_Laurna-Low-Resolution.jpg United States - Mike and Laurna, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280915033-4L7ESAP88IHIX6S7TWGR/Eric-Pickersgill-Removed-Connor_1-Low-Resolution.jpg United States - Conor, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280934612-NPB94MQFWTSPROLDULDV/Eric-Pickersgill-Removed-Mom_and_Dad-Low-Resolution.jpg United States - Mom and dad, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280953013-P511JW7QARV5GQ3EPO1X/Eric-Pickersgill-Removed-Nemal-Low-Resolution.jpg United States - Nemal, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280969200-I173TE7UD6OEHO6I4I8P/Eric-Pickersgill-Removed-Phyllis_Photographing-Low-Resolution.jpg United States - Phyllis Photographing, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551280984827-CQFPPCDZVKLJXULHFX8G/Eric-Pickersgill-Removed-Sunrise_Sleeper-Low-Resolution.jpg United States - Sunrise Sleeper, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281000988-FNQP4W7CXH0IRQEKHCVX/Eric-Pickersgill-Removed-Smith_Rock-Low-Resolution.jpg United States - Smithrock, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281015632-SQT5NFR1VWE1JXH4UU9Z/Eric-Pickersgill-Removed-David_and_Rebecca-Low-Resolution.jpg United States - David and Rebecca, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1551281030427-NS4OT85QZ3BMTRDVHJC3/Eric-Pickersgill-Removed-Tanya_and_Addi-Low-Resolution.jpg United States - 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Hotel Check-in, Rishikesh, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286179453-AEBMPHZANDDD5CQZFNC5/Kamir%2C+Mumbai%2C+India%2C+2018.jpg Solitude - Kamir, Mumbai, India, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286231908-KZVLY33H4DIX4SXN2NN0/Kelly%2C+Chapel+Hill%2C+North+Carolina%2C+2014.jpg Solitude - Kelly, Chapel Hill, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286229445-ND5VKWZJDROFK14CMQV5/Lotus+in+a+Flower+Shop%2C+Hanoi%2C+Vietnam%2C+2018.jpg Solitude - Lotus in a Flower Shop, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286292250-XMSQNG3SGSFHJLS8Y345/Man+Beneath+a+Flag%2C+Kolkata%2C+India%2C+2017.jpg Solitude - Man Beneath a Flag, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286276190-6YSII00XCDMFA19S0A0A/Man+in+the+Sky%2C+Jakarta%2C+Indonesia%2C+2018.jpg Solitude - Man in the Sky, Jakarta, Indonesia, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286317207-H6ZFWLYBJAWI6O3UYJ03/Masijd+Gate%2C+Delhi%2C+India%2C+2017.jpg Solitude - Masijd Gate, Delhi, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286372469-VTJ9W6J97ZC6QL41SJWN/Melissa%2C+Durham%2C+North+Carolina%2C+2014.jpg Solitude - Melissa, Durham, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286357415-2VIML2PSKKH0B231VDG5/Micheal+and+the+man+who+minds%2C+Chapel+Hill%2C+North+Carolina%2C+2014.jpg Solitude - Micheal and the man who minds, Chapel Hill, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286427004-V8GXA7UGW5CVBH91KJ72/Nemal%2C+West+Jefferson%2C+North+Carolina%2C+2014.jpg Solitude - Nemal, West Jefferson, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286431709-BHF616W1RB96WF8AWP5C/Paulo%2C+Rocinha%2C+Brazil%2C+2025.jpg Solitude - Paulo, Rocinha, Brazil, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286471555-RVLWD6OH35M70WO1GHIP/Phyllis%2C+Pinehurst%2C+North+Carolina%2C+2014.jpg Solitude - Phyllis, Pinehurst, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286511080-FMPGDLR5BEXYM6FUXT9L/Pokemon+Catcher%2C+Singapore%2C+2018.jpg Solitude - Pokemon Catcher, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286532965-O1UXM21YCBFDGLZ6AE93/Poolside+Bartender%2C+Jakarta%2C+Indonesia%2C+2018.jpg Solitude - Poolside Bartender, Jakarta, Indonesia, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286585522-D4AXQE67YO1TJG4JY5LG/Prince+of+Vietnam%2C+Hanoi%2C+Vietnam%2C+2018.jpg Solitude - Prince of Vietnam, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286577383-IBDY6PGH3U6URAZ437ST/Reaching+Gujral%2C+Delhi%2C+India%2C+2017.jpg Solitude - Reaching Gujral, Delhi, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286616294-0YJH4RMV9QDV80DOOK3Y/Rishikesh-Boy-Horse-Off-Bridge.jpg Solitude - Scrolling Horseback, Rishikesh, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286653086-P0RRM3053IWPQWO49QJD/Rishikesh-Guru-Student-Riverside.jpg Solitude - Student on Ganges, Rishikesh, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286681528-NYQTN2O0UX2CMMGOTNKZ/Rooftop+Reader%2C+Delhi%2C+India%2C+2017.jpg Solitude - Rooftop Reader, Delhi, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286727973-DFQJACETP6NGMOTERSF3/Rooftop+Swimming%2C+Hanoi%2C+Vietnam%2C+2018.jpg Solitude - Rooftop Swimming, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286765796-HQ6HG68X8PEL42ZJVVUL/Rukshana%2C+Mumbai%2C+India%2C+2017.jpg Solitude - Rukshana, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286791709-MJTEKJRHKJ5RQN7MVX2Y/Sari+Shop+Security%2C+Kolkata%2C+India%2C+2017.jpg Solitude - Sari Shop Security, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286820819-4888I3BUBYT6YXG28I7Z/Selfie+Stick%2C+Shillong%2C+India%2C+2017.jpg Solitude - Selfie Stick, Shillong, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286859761-I5LOEYQDENLBRDGN3RXV/Shape+up+Self+Portrait%2C+Mumbai%2C+India%2C+2017.jpg Solitude - Shape up Self Portrait, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286885707-3ZN5RTNFYDM8EMI6ZTZ6/Shillong-Shoe-Shop-Dad.jpg Solitude - Shillong-Shoe-Shop-Dad https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286007037-KC6O3WCFATZPUB8522UF/Florist%2C+Hanoi%2C+Vietnam%2C+2018.jpg Solitude - Florist, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286913081-LHEIN3R4ICWSWJBVS4R0/Sunrise+Sleeper%2C+Blue+Ridge+Parkway%2C+North+Carolina%2C+2014.jpg Solitude - Sunrise Sleeper, Blue Ridge Parkway, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286961027-JUTWMBNTOE8K83MSI7NQ/Supaar+Woman%2C+Mumbai%2C+India%2C+2017.jpg Solitude - Supaar Woman, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287026821-VSYLGP2R4YO4804VL1W7/Taxi+Driver%2C+Yangon%2C+Myanmar%2C+2018.jpg Solitude - Taxi Driver, Yangon, Myanmar, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287023627-4PF1VVKTLUF9E262729K/Tee+Box%2C+Shillong%2C+India%2C+2017.jpg Solitude - Tee Box, Shillong, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287079731-LAHYE0GLU1TLFZ24QXSN/The+Chemist%2C+Kolkata%2C+India%2C+2017.jpg Solitude - The Chemist, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286169356-0AF5R993SSC7LV9YO7AW/Johnathon.jpg Solitude - Johnathon https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287073463-LO4PHYK5PAKUH8KQ4XHV/The+Director%2C+Hanoi%2C+Vietnam%2C+2018.jpg Solitude - The Director, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287125459-Y3TVRLLZNNW822ZXYE0F/The+Filmmaker%2C+Mumbai%2C+India%2C+2017.jpg Solitude - The Filmmaker, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287125382-DW80KMDVTIGW4S4CWE6S/The+Lawyer%2C+Singapore%2C+2018.jpg Solitude - The Lawyer, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287198553-K1HEC9WCA600KXH4JMYP/The+Teacher%2C+Hanoi%2C+Vietnam%2C+2018.jpg Solitude - The Teacher, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287199906-3PNIEOPLHJVAPYY6U0OG/Theater+Parking%2C+Hanoi%2C+Vietnam%2C+2018.jpg Solitude - Theater Parking, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287270738-URFH0VDZ0RI29NHPZYQH/Took+Took+Driver%2C+Hanoi%2C+Vietnam%2C+2018.jpg Solitude - Took Took Driver, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287263164-RWHWU1QRSM35SV46A5WH/Tree+Shopping%2C+Durham%2C+North+Carolina%2C+2014.jpg Solitude - Tree Shopping, Durham, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287307579-WMRXXODHQILEYTASFOD8/Vantage+Point%2C+Kolkata%2C+India%2C+2017.jpg Solitude - Vantage Point, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287320451-8757QBIJSSK86O8AJ73S/Vicki%27s+Ice+Cream%2C+Denver%2C+North+Carolina%2C+2014.jpg Solitude - Vicki's Ice Cream, Denver, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759287358998-7FFJ69BLXK058CGZPWXM/Walking+Path%2C+Singapore%2C+2018.jpg Solitude - Walking Path, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759286960211-1ZKGQS8IXKWHZ963JSK7/Tate%2C+Rockingham%2C+North+Carolina%2C+2014.jpg Solitude - Tate, Rockingham, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759329941715-1Q3NSRG1JS24YYNWMV31/Angie+and+Me%2C+Chapel+Hill%2C+North+Carolina%2C+2014.jpg Solitude - UNION https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759321934896-4LAUK3AB7PER951VUEPA/Aaron+and+Scott%2C+Davidson%2C+North+Carolina%2C+2014.jpg Solitude - 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Ashley's Neighbors, Davidson, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322036611-4M9VMBIQS71ECYVW0WCW/Bar+Meetup%2C+Hanoi%2C+Vietnam%2C+2018.jpg Tribe - Bar Meetup, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322033775-R2GHBDWVKBOTPPICKYI8/Beach+Day%2C+Mumbai%2C+India%2C+2017.jpg Tribe - Beach Day, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322114844-ZQCPITSDPBUBSIR195J0/Birthday+Picnic%2C+Singapore%2C+2018.jpg Tribe - Birthday Picnic, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322117857-Q48WPNWUNB4T07QD0R3Q/Boat+Taxi%2C+Yangon%2C+Myanmar%2C+2018.jpg Tribe - Boat Taxi, Yangon, Myanmar, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322156705-2VTXZEANKSEUEE1YBIV2/Broadway%2C+Kolkata%2C+India%2C+2017.jpg Tribe - Broadway, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322157717-BOMPYK4V42FX2FQL0A8I/Bus+Lot%2C+Shillong%2C+India%2C+2017.jpg Tribe - Bus Lot, Shillong, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322197528-MAN56N41JEI9IOSHN2Q3/Business+Casual%2C+Mumbai%2C+India%2C+2017.jpg Tribe - Business Casual, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322196595-6OF540077423513DZGGB/Channel+Crossing+Line%2C+Mumbai%2C+India%2C+2017.jpg Tribe - Channel Crossing Line, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322260657-6IVW89Z4YTCETEDHT7C1/Cherry+Blossom+Festival%2C+Shillong%2C+India%2C+2017.jpg Tribe - Cherry Blossom Festival, Shillong, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322265349-GGEBEGNBWMC6UOL626I8/City+Lights%2C+Singapore%2C+2018.jpg Tribe - City Lights, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322337560-CFCMMJPVXIZ6FF5CLIOE/Family+Picnic%2C+Singapore%2C+2018.jpg Tribe - Family Picnic, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322343830-N6ZQWKIK1J5NOTXWMNZQ/First+Responders%2C+Jakarta%2C+Indonesia%2C+2018.jpg Tribe - 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Hillside Trio, Rishikesh, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322511645-4DRHQTEKYWECPLT970JX/Marcio+and+Marcos%2C+Rocinha%2C+Brazil%2C+2025.jpg Tribe - Marcio and Marcos, Rocinha, Brazil, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322544448-8NSRQBBTQX40XT76XFL1/Mike+and+Laurna%2C+Southern+Pines%2C+North+Carolina%2C+2014.jpg Tribe - Mike and Lorna, Southern Pines, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322574153-5O0FIBNKS39YWZOQRZO0/Opera+House%2C+Hanoi%2C+Vietnam%2C+2018.jpg Tribe - Opera House, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322611753-8OJ41TW3KMYF3V0BUEGF/Police%2C+Kolkata%2C+India%2C+2017.jpg Tribe - Police, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322615675-TJIMGV4GH9BP5E9HDUXS/Quint+Office+Manager%2C+Delhi%2C+India%2C+2017.jpg Tribe - Quint Office Manager, Delhi, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322664296-AINTCTPQWX4NZHFTBH4B/Quint+Team%2C+Delhi%2C+India%2C+2017.jpg Tribe - Quint Team, Delhi, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322668909-6O332586XST0DE9RV48B/Reserved%2C+Singapore%2C+2018.jpg Tribe - Reserved, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322707849-SPM8KEMFK8MVUY5R272J/Rishikesh-group-selfie-beetles-ashram.jpg Tribe - Beetles Ashram Selfie, Rishikesh, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322705157-MB18F431WDN7VS21H16S/Scooter+Double+Up%2C+Jakarta%2C+Indonesia%2C+2018.jpg Tribe - Scooter Double Up, Jakarta, Indonesia, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322771636-OGK24D714I7LB5SG6EUD/Singapore-Friends-Dinner.jpg Tribe - Singapore Friends Dinner, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322792150-H9ZU3QEG7JT2PAAJUSXA/Smith+Rock+State+Park%2C+Oregon%2C+2016.jpg Tribe - Smith Rock State Park, Oregon, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322808001-TYKSKNPMQQDZY89MI261/Snoopy%27s%2C+Raleigh%2C+North+Carolina%2C+2025.jpg Tribe - Snoopy's, Raleigh, North Carolina, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322830543-7W9TSAF7UGZM946HM9RD/Star+Students%2C+Kolkata%2C+India%2C+2017.jpg Tribe - Star Students, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322843976-UJQ9UVF1DV8ID0P2MWYT/Sunset+Group+Selfie%2C+Kolkata%2C+India%2C+2017.jpg Tribe - Sunset Group Selfie, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322883966-TNRB8FKIPW7XB1BSC246/Tea+Break%2C+Yangon%2C+Myanmar%2C+2018.jpg Tribe - Tea Break, Yangon, Myanmar, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322911461-X2NE0D9YAQN9LJ6R1QIT/Tea+Time%2C+Hanoi%2C+Vietnam%2C+2018.jpg Tribe - Tea Time, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322916889-UUZORM1HQLCW4CG6CSU2/Team+Evolution+Training%2C+Mumbai%2C+India%2C+2017.jpg Tribe - Team Evolution Training, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322982015-YMGW9V681VMZV8VM15RM/Tourist+Group+Photo%2C+Singapore%2C+2018.jpg Tribe - Tourist Group Photo, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759322980781-JC1BYL0XODV4J8G23V6S/Waiting+at+Market%2C+Hanoi%2C+Vietnam%2C+2018.jpg Tribe - Waiting at Market, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759323018403-4RCVW14Q3ZEPH2LQUM7H/Whatsapp+Girls%2C+Kolkata%2C+India%2C+2017.jpg Tribe - Whatsapp Girls, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759323023790-W9KHCIF1D9ZJ3VR56MY4/William+and+Christina%2C+Chapel+Hill%2C+North+Carolina%2C+2014.jpg Tribe - William and Christina, Chapel Hill, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759323055756-RCFQNGSOMCY6VR6W66WT/Yangon-Simona.jpg Tribe - Simona and Guide, Yangon, Myanmar, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759329941715-1Q3NSRG1JS24YYNWMV31/Angie+and+Me%2C+Chapel+Hill%2C+North+Carolina%2C+2014.jpg Tribe - UNION https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759285304596-MZPYLUA0S73AAAVHL1AI/Angie+Snappin%27+Pics%2C+Blue+Ridge+Parkway%2C+North+Carolina%2C+2014.jpg Tribe - SOLITUDE https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324608492-1NJ6F9HVFPMCCHYW2EAW/Tanya+and+Addison%2C+Denver%2C+North+Carolina%2C+2014.jpg Tribe - KIN https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331093330-DLD4JZAXS55R6RCTXDGY/TEDxBend%2C+Bend%2C+Oregon%2C+2016.jpg Tribe - MULTITUDE https://www.removed.social/kin daily 0.75 2025-10-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324608492-1NJ6F9HVFPMCCHYW2EAW/Tanya+and+Addison%2C+Denver%2C+North+Carolina%2C+2014.jpg Kin - REMOVED – Black and White Conceptual Photography by Eric Picke REMOVED — Kin focuses on parents, children, and family life in the digital age. These photographs capture everyday domestic and intimate moments where hands hover around absent smartphones. By removing devices from the frame, the work reveals how screens shape the dynamics of parenting, childhood, and intergenerational connection. The images highlight both closeness and distance within families, exposing how technology mediates presence, attention, and care. Created on large-format film, this section reflects on kinship, nurture, and the shifting rituals of family life in a screen-saturated world., REMOVED is an ongoing black-and-white photography series by Eric Pickersgill created with a large format film camera. Photographed across the United States, Brazil, Singapore, Myanmar, Indonesia, Vietnam, India, France, and beyond, each image depicts people with their digital devices physically removed before the exposure—revealing the gestures, presence, and disconnection of modern screen use. Exhibited worldwide, the series invites reflection on technology, memory, and human connection. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324608492-1NJ6F9HVFPMCCHYW2EAW/Tanya+and+Addison%2C+Denver%2C+North+Carolina%2C+2014.jpg Kin - Tanya and Addison, Denver, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324113902-IFPC65Q1X9YVW916NI06/Cindy+and+Sam%2C+Lake+Auman%2C+North+Carolina%2C+2025.jpg Kin - Cindy and Sam, Lake Auman, North Carolina, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324379395-3G6LWKBYZ6WMDL2SIFWH/Kitchen+Tea%2C+Shillong%2C+India%2C+2017.jpg Kin - Kitchen Tea, Shillong, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324156249-23RG9MJUJJTPTJ7YCHP4/David+and+Rebecca%2C+Pinehurst%2C+North+Carolina%2C+2014.jpg Kin - David and Rebecca, Pinehurst, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324273039-XQA27TASHJCLKQ2L4CEQ/Family+Breakfast%2C+Singapore%2C+2018.jpg Kin - Family Breakfast, Singapore, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324297589-GTBHEXMJ8HHJ712P7B3C/Jamie%2C+Jodi%2C+and+Aiden%2C+Denver%2C+North+Carolina%2C+2014.jpg Kin - Jamie, Jodi, and Aiden, Denver, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324015072-FIMWBTRMGXI22MEVQ7EW/Art+Teachers+and+Family%2C+Shillong%2C+India%2C+2017.jpg Kin - Art Teachers and Family, Shillong, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324023958-17TWVUYWNYBSAEMX52Q2/Boys+with+Bike%2C+Jakarta%2C+Indonesia%2C+2018.jpg Kin - Boys with Bike, Jakarta, Indonesia, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324079045-PX0HPDEV0RWSDASLRYFE/Cara+After+Thanksgiving%2C+Rockingham%2C+North+Carolina%2C+2014.jpg Kin - Cara After Thanksgiving, Rockingham, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324156028-HZ0YENDPWSC5LD3M9BXL/Cookies+with+Grandma%2C+Hanoi%2C+Vietnam%2C+2018.jpg Kin - Cookies with Grandma, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324209539-ROG6PMALGKZ6T1IY0AUC/Elders%2C+Dala%2C+Myanmar%2C+2018.jpg Kin - Elders, Dala, Myanmar, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324327988-J5GXELWZH69VDNIP0O3N/Jeff+and+Ty%2C+Davidson%2C+North+Carolina%2C+2014.jpg Kin - Jeff and Ty, Davidson, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324210895-TKKQK1JA5H6R749KJSR1/David+and+Rene%2C+Lake+Auman%2C+North+Carolina%2C+2025.jpg Kin - David and Rene, Lake Auman, North Carolina, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324455137-C24DE0O9TLGNL0KK76GR/Matt+and+Boden%2C+Charlotte%2C+North+Carolina%2C+2018.jpg Kin - Matt and Boden, Charlotte, North Carolina, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324381765-A9U1WGZGU55P8MUG9LYG/Jenny+and+Boden+Close%2C+Charlotte%2C+North+Carolina%2C+2018.jpg Kin - Jenny and Boden Close, Charlotte, North Carolina, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324500251-XFYGTBJHY4EOT0WRSFQT/Nishan+and+Mom%2C+Kolkata%2C+India%2C+2017.jpg Kin - Nishan and Mom, Kolkata, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324252816-Z1KNNOPFUVUISO94ANDD/Front+Step%2C+Shillong%2C+India%2C+2017.jpg Kin - Front Step, Shillong, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324521007-HB74OOU5JQ2BMZR7X13Y/Rooftop+Family%2C+Jakarta%2C+Indonesia%2C+2018.jpg Kin - Rooftop Family, Jakarta, Indonesia, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324744809-LXU5137Z01AC3AATT2AR/Watching+Daddy%2C+Hanoi%2C+Vietnam%2C+2018.jpg Kin - Watching Daddy, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324544135-HSYNL89C43EQEAMZK8PY/Rooftop+Mother+and+Son%2C+Delhi%2C+India%2C+2017.jpg Kin - Rooftop Mother and Son, Delhi, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324570001-T997LYIV6845DUPEWSX8/Sky%2C+Denver%2C+North+Carolina%2C+2025.jpg Kin - Sky, Denver, North Carolina, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324611884-C8ACBKTL7GUES8SPE7FR/Snacks+with+Family%2C+Jakarta%2C+Indonesia%2C+2018.jpg Kin - Snacks with Family, Jakarta, Indonesia, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324433087-NUV2S09BK2WRV1CTS9TM/Mariana+and+Luis%2C+Rocinha%2C+Brazil%2C+2025.jpg Kin - Mariana and Luis, Rocinha, Brazil, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324060041-F9MH511170KLTI2X1J4K/Calling+From+Window%2C+Dala%2C+Myanmar%2C+2018.jpg Kin - Calling From Window, Dala, Myanmar, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324678837-6LUQBMX902CXXST8DSG6/Temple+of+Literature%2C+Hanoi%2C+Vietnam%2C+2018.jpg Kin - Temple of Literature, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324649483-9LX1GIC1EGQ9X4U1FEJG/The+Editors+Brother%2C+Mumbai%2C+India%2C+2017.jpg Kin - The Editors Brother, Mumbai, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324695487-HONR5BGIO0T4EU1WOVVG/Tour+Bus+Family%2C+Shillong%2C+India%2C+2017.jpg Kin - Tour Bus Family, Shillong, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324735115-TN2U7H4758NRG18FJYIQ/Wendy%2C+Brian%2C+Hunter%2C+and+Harper%2C+Denver%2C+North+Carolina%2C+2014.jpg Kin - Wendy, Brian, Hunter, and Harper, Denver, North Carolina, 2014 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759329941715-1Q3NSRG1JS24YYNWMV31/Angie+and+Me%2C+Chapel+Hill%2C+North+Carolina%2C+2014.jpg Kin - UNION https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759285304596-MZPYLUA0S73AAAVHL1AI/Angie+Snappin%27+Pics%2C+Blue+Ridge+Parkway%2C+North+Carolina%2C+2014.jpg Kin - SOLITUDE https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759321934896-4LAUK3AB7PER951VUEPA/Aaron+and+Scott%2C+Davidson%2C+North+Carolina%2C+2014.jpg Kin - TRIBE https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331093330-DLD4JZAXS55R6RCTXDGY/TEDxBend%2C+Bend%2C+Oregon%2C+2016.jpg Kin - MULTITUDE https://www.removed.social/multitude daily 0.75 2025-10-02 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331093330-DLD4JZAXS55R6RCTXDGY/TEDxBend%2C+Bend%2C+Oregon%2C+2016.jpg Multitude - REMOVED – Black and White Conceptual Photography by Eric Picke REMOVED — Multitude documents crowds, assemblies, and large social gatherings where every participant’s hands appear suspended around invisible devices. These staged photographs expose how collective rituals—concerts, performances, public events—are transformed by the omnipresence of smartphones. By physically removing the devices, the images make visible the tension between being part of a group and being absorbed into digital networks. Shot on large-format film, the series reflects on audience behavior, spectatorship, and the ways technology reshapes communal experience in contemporary culture., REMOVED is an ongoing black-and-white photography series by Eric Pickersgill created with a large format film camera. Photographed across the United States, Brazil, Singapore, Myanmar, Indonesia, Vietnam, India, France, and beyond, each image depicts people with their digital devices physically removed before the exposure—revealing the gestures, presence, and disconnection of modern screen use. Exhibited worldwide, the series invites reflection on technology, memory, and human connection. https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331093330-DLD4JZAXS55R6RCTXDGY/TEDxBend%2C+Bend%2C+Oregon%2C+2016.jpg Multitude - TEDxBend, Bend, Oregon, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331051630-JR3RT6D2I770F6E9H7VJ/World+Economic+Forum+ASEAN+Summit%2C+Hanoi%2C+Vietnam%2C+2018.jpg Multitude - World Economic Forum ASEAN Summit, Hanoi, Vietnam, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331036120-PC8E2JJS6QZB5TXQ36Y1/The+Light+Factory+Auction%2C+Charlotte%2C+North+Carolina%2C+2016.jpg Multitude - The Light Factory Auction, Charlotte, North Carolina, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331073876-WJSEAU2SDXPER4SSI20R/TEDxPantheon+Sorbonne%2C+Paris%2C+France%2C+2016.jpg Multitude - TEDxPantheon Sorbonne, Paris, France, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331158539-FFH8NNE4J8PAJUFEMHYR/Kibbitznest%2C+Chicago%2C+Illinois%2C+2016.jpg Multitude - Kibbitznest, Chicago, Illinois, 2016 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331113395-E3NPB9QTV25MIHNSNODV/Safe+Alliance+Auction%2C+Charlotte%2C+North+Carolina%2C+2018.jpg Multitude - Safe Alliance Auction, Charlotte, North Carolina, 2018 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331130140-4BAX5IYVCO5BLJQ4EPO8/Rio+Innovation+Week+2025%2C+Rio+de+Janiero%2C+2025.jpg Multitude - Rio Innovation Week 2025, Rio de Janiero, 2025 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759331164260-GE6D4YGPY9O1CZF40OCO/Gujral+Foundation+Lecture%2C+Delhi%2C+India%2C+2017.jpg Multitude - Gujral Foundation Lecture, Delhi, India, 2017 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759329941715-1Q3NSRG1JS24YYNWMV31/Angie+and+Me%2C+Chapel+Hill%2C+North+Carolina%2C+2014.jpg Multitude - UNION https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759285304596-MZPYLUA0S73AAAVHL1AI/Angie+Snappin%27+Pics%2C+Blue+Ridge+Parkway%2C+North+Carolina%2C+2014.jpg Multitude - SOLITUDE https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759321934896-4LAUK3AB7PER951VUEPA/Aaron+and+Scott%2C+Davidson%2C+North+Carolina%2C+2014.jpg Multitude - TRIBE https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1759324608492-1NJ6F9HVFPMCCHYW2EAW/Tanya+and+Addison%2C+Denver%2C+North+Carolina%2C+2014.jpg Multitude - KIN https://www.removed.social/store daily 0.75 2025-07-23 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/4616f0ce-2077-4676-a12b-64212cdbf0c2/ERICPICKERSGILL8_1.jpg Store https://www.removed.social/store/collect-removed monthly 0.5 2025-10-01 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470101281568-ZT851DBDOLBRSBJ6D46E/ERICPICKERSGILL7.jpg Store - Removed Series, Editioned Signed Prints - Angie and Me, 2014, https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1469791939876-DVN52K3V6BJKFEL3NMWY/ERICPICKERSGILL1_1.jpg Store - Removed Series, Editioned Signed Prints https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1469791941619-CBW2ARQ2W8ABRCZGE1LH/ERICPICKERSGILL8_1.jpg Store - Removed Series, Editioned Signed Prints https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1469791942427-N9N9KETY50CA3L8M1DDB/rwfa_install.jpg Store - Removed Series, Editioned Signed Prints https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1469792930740-06FPDM7R9G5PFJ9DN0WI/ERICPICKERSGILL5.jpg Store - Removed Series, Editioned Signed Prints https://www.removed.social/store/tedxbend-print monthly 0.5 2025-10-01 https://images.squarespace-cdn.com/content/v1/561bb57ae4b0357b729e16de/1470099973005-MJLK05ZHDXWNZ69WWBK3/tedxbend_removed.jpg Store - Special Edition, TEDxBend, 2016 Print, 20 x 24" Edition of 20 - Removed Self-portrait, TEDxBend, 2016